Create Mythical Scenery in Photoshop

Learn how to create one mythical scenery with one interesting technique of unusual scenery processing adding rays of light.

Final Image Preview

Create Mythical Scenery in Photoshop

Resources


Step 1

Open photo in Photoshop. This photo is good to use on this tutorial because has dark tones. Go to Image > Image Size and update to Width 1500px and Height 1125px.

Create Mythical Scenery in Photoshop 1

Step 2

We need to add brightness to the photo. Duplicate layer with Ctrl+J and on copied layer update layer blending mode to Screen and Opacity to 70%.

Create Mythical Scenery in Photoshop 2

Step 3

Go back to original layer and duplicate it on more (Ctrl+J). Place this new layer above all other layers and desaturate it using Image > Adjustments > Desaturate.

Create Mythical Scenery in Photoshop 3

Step 4

Change Brightness and Contrast for this layer using Image > Adjustments > Brightness/Contrast:

Create Mythical Scenery in Photoshop 4
Create Mythical Scenery in Photoshop 5

Change layer blending mode for this layer to Overlay.

Create Mythical Scenery in Photoshop 6

Step 5

Now we need to brighten photo. Go to Image > Adjustments > Levels.

Create Mythical Scenery in Photoshop 7
Create Mythical Scenery in Photoshop 8

Step 6

Duplicate again layer with original photo using Ctrl+J and move it above all layers. Apply Filter > Other > High Pass to this layer.

Create Mythical Scenery in Photoshop 9
Create Mythical Scenery in Photoshop 10

Update layer blending mode to Overlay.

Create Mythical Scenery in Photoshop 11

Step 7

We are going to add shining to the photo in the same place where the source of light is located. On this photo the source of light is obvious, it’s located in the middle of the landscape. Create a new layer, select Brush Tool (opacity: 50%, soft-edged brush with 50px, color #f0ff00) and create the shining.

Create Mythical Scenery in Photoshop 12

Step 8

Now we are going to create the rays. Create a new layer, select Brush Tool (opacity: 100%, soft brush, 4px in diameter, color: #ffffff) and holding Shift button make a line as shown on image below:

Create Mythical Scenery in Photoshop 13

The edges of the line shouldn’t be sharp. Select Eraser Tool and a soft brush with 100% opacity, diameter 100px and erase the edges of the line.

Create Mythical Scenery in Photoshop 14
Create Mythical Scenery in Photoshop 15

Duplicate layer with line using Ctrl+J and apply Edit > Transformer > Rotate 90 CW.

Create Mythical Scenery in Photoshop 16

Merge both layers with lines by selecting them first and pressing Ctrl+E. Duplicate layer once again and rotate it using Edit > Transformer > Rotate as shown on image below.

Create Mythical Scenery in Photoshop 17

Merge both layers with lines by selecting them first and pressing Ctrl+E.

Create Mythical Scenery in Photoshop 18

Duplicate layer once again and rotate it using Edit > Transformer > Rotate as shown on image below.

Create Mythical Scenery in Photoshop 19

Merge both layers with lines by selecting them first and pressing Ctrl+E. Duplicate layer once again and rotate it using Edit > Transformer > Rotate as shown on image below.

Create Mythical Scenery in Photoshop 20

Merge both layers with lines by selecting them first and pressing Ctrl+E. Duplicate layer once again and rotate it using Edit > Transformer > Rotate as shown on image below.

Create Mythical Scenery in Photoshop 21

To make rays look more natural let’s add shining in the center of landscape. Create a new layer, select Brush Tool (soft brush, diameter 400px, color: #ffffff) and create shining like you see on image below.

Create Mythical Scenery in Photoshop 22

Merge white shining layer with rays layer into one and update layer blending mode to Overlay on this layer.

Create Mythical Scenery in Photoshop 23

Create a new layer and with Brush Tool selected (soft brush with 400px in diameter and color #ffffff), create shining and we have finished this step.

Create Mythical Scenery in Photoshop 24

Step 9

Create a new layer, select Gradient Tool and Spectrum gradient from Presets and fill new layer.

Create Mythical Scenery in Photoshop 25

Update layer blending mode to Soft Light.

Create Mythical Scenery in Photoshop 26

Step 10

Now we need to add magical rays. Select Brush Tool, hard-edged brush with 4px in diameter, white color (#ffffff) and opacity 100%. Create a new layer, select Pen Tool and make sure that you are working with Paths instead of Shape Layers. Draw curve with paths like i have on image below.

Create Mythical Scenery in Photoshop 27

Right click mouse above path create and select Stroke Path in the menu. Choose Brush as a source on dialog box that appears.

Create Mythical Scenery in Photoshop 28

Click again and select Delete Path.

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Select Brush Tool and select brush Hard Mechanical 1 pixel which is located on Basic Brushes set that comes with Photoshop. Go to Window > Brush Presets and use following parameters:

Create Mythical Scenery in Photoshop 30
Create Mythical Scenery in Photoshop 31
Create Mythical Scenery in Photoshop 32

Select Pen Tool and create curves same way as before.

Create Mythical Scenery in Photoshop 33

Right click mouse and select Stroke Path.

Create Mythical Scenery in Photoshop 34

Repeat this action several times.

Create Mythical Scenery in Photoshop 35

Create second ray also on same layer with same process.

Create Mythical Scenery in Photoshop 36

Select Eraser Tool (Opacity: 30%, soft brush with 100px) and make rays transparent in some areas and with this we will add the feeling of lightness.

Create Mythical Scenery in Photoshop 37

Step 11

Create a new layer. Select Brush Tool (Opacity: 100% and a soft round brush) and choosing different sizes and colors, paing the fragments of the rays.

Create Mythical Scenery in Photoshop 38

Change layer blending mode to Color.

Create Mythical Scenery in Photoshop 39

Set layer opacity to 40% for this layer.

Create Mythical Scenery in Photoshop 40

Select layer with the rays and with Brush Tool (soft brush, white color) backlight the rays on a new layer.

Create Mythical Scenery in Photoshop 41

Step 12

Create new layer on top. With Brush Tool create spots of light with white color.

Create Mythical Scenery in Photoshop 42

Set layer blending mode to Soft Light and tutorial is finished.


Final Image

Create Mythical Scenery in Photoshop

We got an unusual colored mythical landscape. Hope you liked it.

How to Create Mosaic Effect in Photoshop

The purpose of this tutorial is to show you how to get one very interesting mosaic effect in Photoshop.

Final Image Preview

How to Create Mosaic Effect on the Wall in Photoshop

Step 1

Create a new document with 1000px width and 600px height. Fill it with black color (#000000) and update layer name to Background (click twice on layer name).

How to Create Mosaic Effect on the Wall in Photoshop 1

Step 2

For this tutorial we need to create an action. Make Actions Panel active with Window > Actions (or Alt+F9) and press Create new Action button on lower window options.

How to Create Mosaic Effect on the Wall in Photoshop 2

After that create a new layer and apply Filter > Render > Clouds. Change layer mode to Screen for this layer.

How to Create Mosaic Effect on the Wall in Photoshop 3

Step 3

Apply Filter > Pixelate > Mosaic with following settings:

How to Create Mosaic Effect on the Wall in Photoshop 4
How to Create Mosaic Effect on the Wall in Photoshop 5

Step 4

Apply Filter > Sketch> Reticulation with following settings:

How to Create Mosaic Effect on the Wall in Photoshop 6
How to Create Mosaic Effect on the Wall in Photoshop 7

Now we need to stop recording our new action. Press Stop on Action panel. Make sure tht your new Action only has the following items: Make layer, Clouds, Set current layer, Mosaic and Reticulation. If you have more items remove them and if you have any missing delete Action and recreate it.

How to Create Mosaic Effect on the Wall in Photoshop 8

Step 5

With our Action created, we are going to create mosaic bricks. We need to apply our Action about 6-7 times more until all black spots will disappear on canvas.

How to Create Mosaic Effect on the Wall in Photoshop 9

The result should be similar to this:

How to Create Mosaic Effect on the Wall in Photoshop 10

Merge all layers together except background layer by selecting them and using Ctrl+E. After merge, change layer mode to Screen again. We now have only two layers: background layer and mosaic layer.


Step 6

We now are going to add glow. Apply Filter > Sketch > Photocopy on mosaic layer (Detail: 24 and Darkness:1).

How to Create Mosaic Effect on the Wall in Photoshop 11
How to Create Mosaic Effect on the Wall in Photoshop 12

Step 7

Invert layer colors by pressing Ctrl+I.

How to Create Mosaic Effect on the Wall in Photoshop 13

Step 8

Set Auto Contrast by going to Image > Auto Constrat (on older Photoshop versions it´s inside Image > Adjustments).

How to Create Mosaic Effect on the Wall in Photoshop 14

Step 9

Create new layer and change layer mode to Overlay. Select Brush Tool (soft round brush with about 80 pixels) and apply brush on edges of dark squares with white color.

How to Create Mosaic Effect on the Wall in Photoshop 15

Step 10

Merge all layers except background layer by selecting them and using Ctrl+E. Duplicate mosaic layer again with Ctrl+J.

How to Create Mosaic Effect on the Wall in Photoshop 16

On duplicated layer apply Filter > Blur > Gaussian Blur. Change layer mode to Overlay.

How to Create Mosaic Effect on the Wall in Photoshop 17
How to Create Mosaic Effect on the Wall in Photoshop 18

Step 11

Duplicate current layer with Ctrl+J to increase effect.

How to Create Mosaic Effect on the Wall in Photoshop 19

Merge all mosaic layers except background layer.


Step 12

On this step we are going to bring some color to mosaic layer. Apply Image > Adjustments > Hue/Saturation with following settings:

How to Create Mosaic Effect on the Wall in Photoshop 20
How to Create Mosaic Effect on the Wall in Photoshop 21

Step 13

Time to add some perspective to the mosaic. Use Edit > Transform > Perspective to transform mosaic to something similar to what i did on image below.

How to Create Mosaic Effect on the Wall in Photoshop 22
How to Create Mosaic Effect on the Wall in Photoshop 23

To remove too much blurred areas if you have any, use Crop Tool to fix them.

How to Create Mosaic Effect on the Wall in Photoshop 24
How to Create Mosaic Effect on the Wall in Photoshop 25

Final Image

We may add some additional colors to our mosaic. Add a new layer and change layer mode to Overlay. Set up foreground color as purple (#8a00ff) and with Brush Tool selected (soft round brush with 300px) apply on right side of mosaic. Finally set up foreground color to blue (#002cff) and apply Brush Tool on left side to increase brightness and add some glow. And now this tutorial is complete.

How to Create Mosaic Effect on the Wall in Photoshop

Create a Glowing Light Painting Effect

In this tutorial I will show you an easy, and very fast way, to create a light painting in Photoshop.

Editor’s note: This tutorial was original published on Psdtuts in April of 2008.


Step 1

Create a new document and place the photo, you can download the one I used at: Photo 1.


Step 2

Here I placed a second image. I will use it to create the light effects. Here is the link for the next image: Photo 2.


Step 3

With the Pen Tool(P), create a path for one of the figures.


Step 4

Select the Brush Tool(B) and go to Window>Brushes or F5 to create our brush. Use 8px for the diameter and select Dual Brush and Other Dynamics. Follow the image below for reference.


Step 5

Go to the Layer Palette, create a new folder, and rename it to lights. After that create a new layer inside this folder, name it “dude”, and select it.


Step 6

Go to the Path Palette and select the first path. Then with the Path Selection Tool(A), select the path and right-click. Choose Stroke Path. A dialog box will open; select the brush and use Simulate Pressure.

After that go to Filter>Blur>Gaussian Blur, use 1.6px for the amount.


Step 7

Duplicate the “dude” layer three times.


Step 8

Select the Rectangle Tool (U) and create a rectangle. Then duplicate the rectangle several times. After that align and distribute them horizontally.


Step 9

Create a new layer inside the lights folder. Rename it to “xing”. Repeat Step 6 and Stroke the paths. After that select the “xing” layer and go to Edit>Transform>Distort. Now just move the vertices until the perspective is good—just follow the street lines.


Conclusion

That’s probably the easiest way to create this type of light effect; however, it depends on the color of the background. If the background is too dark, the blend mode won’t work. You’ll probably have to use another one with an Outer Glow.

You can make the lights brighter by just duplicating the layers. You can even use the Eraser Tool(E) to make some adjustments. The original concept image can be viewed at Light Graffiti In Photoshop. The final tutorial image is below.


Best of Tuts+ in July

Each month, we bring together a selection of the best tutorials and articles from across the whole Tuts+ network. Whether you’d like to read the top posts from your favourite site, or would like to start learning something completely new, this is the best place to start!


Psdtuts+ — Photoshop Tutorials

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  • Nettuts+ — Web Development Tutorials

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  • Webdesigntuts+ — Web Design Tutorials

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  • Phototuts+ — Photography Tutorials

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  • Understanding the Fundamentals of Camera Sensors

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  • Cgtuts+ — Computer Graphics Tutorials

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    In this tutorial by author Shaun Keenan, well look at setting up and rendering a product shot inside of RandomControls Fryrender. Shaun will start out by covering the process of setting up and preparing the scene in Maya, before exporting to Fry. Well look at creating light emitting geometry through shaders, as well as creating the jellybean and glass materials, finally well set up and tweak the render settings inside of Fry.

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  • Animation Reference Pack: Facial Expressions – CG Premium Content

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  • Aetuts+ — After Effects Tutorials

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  • Top Ten After Effects Keyboard Shortcuts – with FREE AE Starter Templates!

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  • Aetuts+ Hollywood Movie Title Series -

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  • Audiotuts+ — Audio & Production Tutorials

  • Quick Tip: How To Get A Clean John Frusciante Tone

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  • How to Create the ‘Like a G6′ Bassline Sound

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    If you listen to the radio, go into upscale bars, or dance at the clubs you probably have heard Far East Movement’s ‘Like a G6′. Aside from the icy vocals from the artist Dev, G6 has a very memorable bass line. If you wanted to know how to recreate that sound for a remix or to have it as a sound option in your own track then read on like a G6!

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  • An Introduction to ADSR

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  • Activetuts+ — Flash, Flex & ActionScript Tutorials

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  • Get Control of Your AS3 Event Flow With Signals

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  • Fixing Bugs in AS3: Introduction

    Fixing Bugs in AS3: Introduction

    In this tutorial, I’ll describe some of the basic information you need to debug your Flash applications. Finding and resolving errors in your ActionScript is no small task, so this is actually just the first article of a series. In this installment, we’ll take a look at some of the general things you can do to help track down your bugs.

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  • Wptuts+ —WordPress Tutorials

  • 8 Tips for Creating WordPress Themes That Sell

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  • 10 Code Snippets WP Theme Developers Should Have on Speed Dial

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  • The Definitive Check List for Publishing Your WordPress Plugin

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    When you are getting close to completing your WordPress plugin, it’s time to start thinking about releasing it to the broader public. Getting ready for publishing a plugin requires a lot of polishing, testing and fine tuning, and it’s easy to forget some steps in the process. This tutorial will guide you through publishing the plugin in the WordPress plugin directory and work as a check list to help you make sure your plugin will be ready for the prime time by the time you hit publish.

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  • Mobiletuts+ — Mobile Development Tutorials

  • Android SDK: Enabling Google Analytics to Gather App Statistics

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    Google Analytics is a service provided by Google that makes it easy to track what users do. Recently, the Google Analytics team released an Analytics SDK for mobile platforms including Android, iOS (Apple), and mobile websites. In this tutorial, learn how to include and enable this technology within your Android projects to gather important information about how users are using your applications.

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  • Corona SDK: Creating a Scrolling Background

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    The Corona SDK makes game development for the iPhone, iPad, and Android easy. Corona uses the Lua programming language to create cross-platform apps. In this tutorial we will explore how to create a scrolling background with the Corona SDK.

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  • Better Apps By Design

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    Most mobile apps are missing that extra bit of design detail that could help them stand out from the App Store crowd. While there is no replacement for having a talented designer polish your app’s pixels for hours on end, the purpose of this series is to teach those with limited Photoshop experience and a low-to-no budget how to make apps that shine!

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Apply a Tilt-Shift Effect to a Video Using Photoshop

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Tilt-shift is an effect that when applied to an image or in this case, a video, will create the illusion of miniaturization, making it seem as if the video is shooting a model set and not real life. To create one of these videos outside of Photoshop would require an expensive camera and and an even more expensive lens, which can cost into the thousands of dollars. In this tutorial I will show you how to create this effect using only Photoshop and how to apply it to almost any video.


Tutorial Assets

The following assets were used during the production of this tutorial.


Download Original Footage

Before you begin. Let’s take a look at the original footage. Make sure to download it from here.


Step 1

Before opening Photoshop, install the Extension that was included in the tutorial assets. Open the Adobe Extension Manager, which should be found in the Adobe folder.

PC users, if for some reason, it will not let you install the Extension, close and re-open the Extension Manger by right-clicking on the program in the start menu and selecting “Run as administrator”.

With the Extension Manager open, click the install button, and locate where you saved the Iterate Action extension.


Step 2

Open Photoshop and then choose File > Import > Import video frames to layers.

For those users using CS5 or higher you’ll need to use the 32bit version of Photoshop that should have been included in your install. You have to use the 32bit version because unfortunately Import video frames to layers utilizes the Quicktime API which remains a 32bit application.

For PC users, you should find the 32bit version in the Start menu, right next to the 64 bit version, if it’s not there check the (x86) folder, still not there then re-install, the 32bit version was unchecked during the initial installation.

For Mac users, open the Photoshop folder in a finder window and Command/Ctrl-click on the Photoshop icon, then click on Get info, click the check mark to run the program in it’s 32 bit mode.

Import video to layers offers a few options for importing. Depending on the video, you can grab the whole thing or just a selected range. Make sure that “Make Frame Animation” is checked and then for this video limit the imported frames to every 15th frame. Doing this is going to not only cut the length of the video it’s also going to mimic a stop-motion effect which will help sell the overall effect.

Note: You can work with video frame layers in the 64bit version. To do so import the video using the 32bit version, save the file as a .PSD file, then open the file up in the 64bit version.


Step 3

Before moving on, it will be helpful to setup your workspace, in the top right corner there are a number of workspace presets, you can select the Motion preset to load a number of popular tabs. However for this tutorial you will only be needing the Animation tab, Layers tab, Action tab and History tab.

To begin applying the tilt-shift effect press (Q) to enter the Quick mask mode. Press (D) to reset your Foreground/Background colors, then select the Gradient tool. In the top left of the screen there are a number of Gradient styles, select the Reflected Gradient which is the fourth style from the right. While holding the Shift key, draw a line from the bottom of the staircase to just above the railing.

You’ll now see a light red gradient running horizontally across the screen. This red area will be the area of focus for the tilt-shift effect, don’t be afraid to play with different widths and positions for the mask. Moving the mask higher or lower will allow you to place the area of focus for the effect. The focal point doesn’t necessarily have to be centered to be effective. For more complicated video’s you could paint in the the mask but for most videos, this step should be sufficient.

Once satisfied with the placement of the mask press (Q) to exit the Quick mask mode. You should now have and upper and lower selection.

Note: This selection MUST remain in place throughout the rest of the tutorial. DO NOT deselect or else the effect will not work.


Step 4

With the selection in place, Choose Filter > Blur > Lens Blur. For this video the default settings are bit too much, so reduce the Radius to 20. Drop the Curvature to 27 and kill the Noise. Be advised that this filter can take some time to refresh on slower machines, so be patient. When you are happy with the effect press OK to apply.


Step 5

For the next two steps you’ll want to try and exaggerate the brightness and color to help sell the effect. Choose Image > Adjustments > Brightness/Contrast, bump the Brightness by 50 and the Contrast by 25.

Then Choose Image > Adjustments > Vibrance and bump the Vibrance by +100 and the Saturation by +25. Experiment with different setting’s, now is the time to find which settings create the most dramatic effect.


Step 6

Now that you have an effect that you are happy with, it’s time to apply it to the rest of the video. First save your file out as a .PSD file, then undo everything back to Step 4. Make sure that you DO NOT deselect the selection created in step 3.

To create an Action, open the Action tab, press the new Action button near the bottom of the tab. Name the Action "titlshift", making sure it is saved in the Default Actions folder, (This will be important later on) then press Record. The round button at the bottom of the Action tab should turn red when recording.


Step 7

Now that Photoshop is recording, you can begin by re-applying the Lens blur effect. Choose Filter > Blur > Lens Blur or press Command/Ctrl + F to apply the last filter. Then Choose Image > Adjustment > Brightness/Contrast and apply the same setting’s as before. Then Choose Image > Adjustment > Vibrance and apply the same settings as before. Double check that Photoshop only recorded these three actions. If Photoshop accidently recorded an extra step, don’t worry, press the stop button, drag the unwanted step to the garbage can at the bottom right corner, then press the round record button to begin recording again.

Now that the Filter and Image Adjustments have been recorded you need to record an Action that will move the Animation frame forward. If you simply selected Animation frame 2, Photoshop would record “Select animation frame 2″ which when you played the Action back it would not advance forward but remain on frame 2 indefinitely. To record a generic Action that moves the selection forward one frame, press the Fast Forward button at the bottom of the Animation tab. This will record an Action that tells Photoshop to “Activate next animation frame”.

However you are not done yet, telling Photoshop to activate the next animation frame is not enough, if you left it at that you would move the Animation frame forward but Photoshop’s ability to apply your setting’s would remain on Layer One. A little confusing, but what is happening is that an Animation frame only effects the visibility of a layer, not whether Photoshop can edit that Layer. To fix this you need to add one last step in our Action. As with the Animation frame you need to use a generic command to move forward one layer, press Alt/Command + ] to record the Action “Select forward layer”.

These last two actions are critical to the looping script you are going to use. All the looping script is doing is pressing the play button a set number of times for us, by having Photoshop move the selection forward, it is going to allow the looping script to move up the layers in the file applying the effect.

With this last step recorded, press the square Stop bottom at the bottom of the actions tab to end the recording.


Author’s Note

It’s time to test your Action. Press the Play button a couple of times to ensure that it is applying the effect the way you want and that it is moving the selections forward. Now is the time to make adjustments if needed. Remember to save the document if you haven’t already.

Before you proceed, I need to take a moment and give credit to Dr. WooHoo who has generously provided the Iterate script free of charge to the world. It was published in the May/June 2009 issue of Photoshop User Magazine and is also available on his website here.


Step 8

If you have ever played around with Photoshop Actions, you may have come across this odd limitation within Photoshop’s extensive Automation tools. For whatever reason, Photoshop cannot loop Actions to multiple layers within a single file, it is this limitation that Dr. WooHoo script corrects. If you haven’t already installed the Iterate script then save your work, close Photoshop and jump back to Step 1. If the extension’s been installed, then choose Window > Extension > Iterate Actions.

Click the Loop button.

Enter the Actions name exactly as you spelled it. Remember the Action must be located in the Default Actions folder or else the script will not be able to run the Action.

It will then ask how many times to repeat the Action. Press OK and it will start applying the Action to each layer, this may take some time.

(Don’t worry if your off a frame or two, you can always manually run the action if the script misses a few frames, However make sure you don’t tell the script to run more times than you have frames, once the script hits the last frame, it will start over with frame one.)


Step 9

Once it’s done applying the effect, play the video through a couple times, If you are happy with the final effect, its time to render the video out. First step is to change the frame delay from it’s native 0.04secs to 0.1 secs. To change the delay, select Frame One then scroll down and Shift-Click on the last Frame, you should then see a blue outline around all the Frames. Click on on the small black arrow just under the right corner of the one of the Frames, and change the delay to 0.1 secs. Changing this setting’s will adjust the rendered video playback speed, leaving it at 0.04secs would have the video playing back a bit too fast.

Then Choose File > Export > Render video. Name your file and select where you want to save it. Then you have a couple of options for exporting your video.

Option One: Export as a compressed video file, perfect if the video is a stand alone piece.

Option Two: If your using this video as part of a larger project, export the video as an image sequence, you’ll retain the highest image quality possible, however this method will require the use of another program, such as After Effects, when it comes time to export the image sequence as a video file.

To render as a movie, click on Setting’s then on the Video Setting’s button

My personal preference leans to the .mov format using H.264, the file size will be tiny and the video quality will remain excellent. Press OK and in a moment your video will be ready to amaze the world.


Final Video

Creating Cardiac Rate Effect with Photoshop

On this Photoshop tutorial i am going to show u how to make cardiac rate effect which I got by experimenting with Photoshop filters.

Final Image Preview

Creating Cardiac Rate Effect

Note: This is one old tutorial updated.

Step 1

Create a new document with size of 700×700 pixels for this tutorial. Select the Paint Bucket Tool and fill canvas with black color (#000000).

Creating Cardiac Rate Effect 1

Step 2

Apply Gradient Overlay to this layer by going to Layer > Layer Style > Gradient Overlay.

Creating Cardiac Rate Effect 2

Creating Cardiac Rate Effect 3

Step 3

Create a new layer. Merge both layers (Shift+Ctrl+E) to get all effects on one layer and apply Filter > Brush Strokes > Sprayed Strokes with following settings:

Creating Cardiac Rate Effect 4

Creating Cardiac Rate Effect 5

Step 4

Select Horizontal Type Tool and write something like BEAT. Text color should be white, font selected was Swis721 BdOul BT Bold (free font), 120px and smooth.

Creating Cardiac Rate Effect 6

Step 5

Select the Line Tool (Weight: 3 px) and draw the lines like on my image below:

Creating Cardiac Rate Effect 7

Step 6

Merge all line layers with text layer into one layer. Select Eraser Tool and hard round brush (12px, opacity 100%) and delete lines like i show on my image below.

Creating Cardiac Rate Effect 8

Step 7

Rotate layer by going to Edit > Transform > Rotate 90 CCW.

Creating Cardiac Rate Effect 9

Step 8

Apply Filter > Stylize > Wind with following settings:

Creating Cardiac Rate Effect 10

Creating Cardiac Rate Effect 11

Step 9

Press Ctrl+F one more time to repeat filter.

Creating Cardiac Rate Effect 12

Step 10

Apply Filter > Stylize > Wind again but update direction to Right:

Creating Cardiac Rate Effect 13

Creating Cardiac Rate Effect 14

Step 11

Press Ctrl+F one more time to repeat filter.

Creating Cardiac Rate Effect 15

Step 12

Rotate text by going to Edit > Transform > Rotate 90 CW.

Creating Cardiac Rate Effect 16

Step 13

Go to Layer > Layer Style and apply Outer Glow and Color Overlay to this layer.

Creating Cardiac Rate Effect 17

Creating Cardiac Rate Effect 18

Final Image

Creating Cardiac Rate Effect

We have completed this tutorial with this final step.

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Learn to Create Abstract Explosion

In this Photoshop tutorial I will show you how to create one crazy effect: explosion of abstraction. Looks very cool and mysteriously and it’s simple to follow.

Final Image Preview

Learn to Create Explosion of Abstraction

Step 1

Create a new document with size of 1000 x 1000 pixels for this tutorial. Select the Paint Bucket Tool and fill canvas with black color.

Learn to Create Explosion of Abstraction 1

Step 2

Go to Layer > New Layer and create a new layer. Use the Rectangular Marquee Tool to create selection similar to mine on the picture below and fill it with white color.

Learn to Create Explosion of Abstraction 2

Step 3

Remove selection with Ctrl+D and apply Filter > Stylize > Wind.

Learn to Create Explosion of Abstraction 3

Learn to Create Explosion of Abstraction 4

Step 4

Now press Ctrl+F two more times to increase filter effect.

Learn to Create Explosion of Abstraction 5

Step 5

Apply again Filter > Stylize > Wind, but change direction to From the Left. Press Ctrl+F two more times to increase filter effect.

Learn to Create Explosion of Abstraction 6

Learn to Create Explosion of Abstraction 7

Step 6

Rotate this line to horizontal position by using Edit > Transform > Rotate 90 CW.

Learn to Create Explosion of Abstraction 8

Step 7

Apply Filter > Distort > Polar Coordinates with these values:

Learn to Create Explosion of Abstraction 9

Learn to Create Explosion of Abstraction 10

Step 8

To create a full circle we need to copy current layer with Ctrl+J. After duplicating, rotate copied layer by going to Edit > Transform > Rotate 90 CW.

Learn to Create Explosion of Abstraction 11

Step 9

Now, select the Eraser Tool and a soft round brush about 300 px to remove all the content on the current layer except the hole part.

Learn to Create Explosion of Abstraction 12

Step 10

Merge copied layer with original layer together selecting both and pressing Ctrl+E. Then apply Filter > Distort > Spherize.

Learn to Create Explosion of Abstraction 13

Learn to Create Explosion of Abstraction 14

Step 11

After that apply Filter > Blur > Radial Blur:

Learn to Create Explosion of Abstraction 15

Learn to Create Explosion of Abstraction 16

Step 12

Now we are going to create background for explosion effect. Create a new layer and apply Filter > Render > Clouds:

Learn to Create Explosion of Abstraction 17

Step 13

Then apply Filter > Distort > Pinch with next parameters:

Learn to Create Explosion of Abstraction 18

Learn to Create Explosion of Abstraction 19

Step 14

Apply this filter two more times (press Ctrl+F two times more).

Learn to Create Explosion of Abstraction 20

Step 15

Change color of this layer with Images > Adjustments > Hue/Saturation.

Learn to Create Explosion of Abstraction 21

Learn to Create Explosion of Abstraction 22

Step 16

Increase contrast for current layer by using Images > Adjustments > Brightness/Contrast.

Learn to Create Explosion of Abstraction 23

Learn to Create Explosion of Abstraction 24

Step 17

Change layer mode to Color Dodge.

Learn to Create Explosion of Abstraction 25

Step 18

Go to layer with circle and reduce layer opacity to 50%.

Learn to Create Explosion of Abstraction 26

Final Image

Finally create new layer above the circle layer and fill it with white color. Then set opacity up to 10% for current layer.

Final Image

Learn to Create Explosion of Abstraction

We have completed this tutorial with this final step. Now you know how to create abstract explosions that you can use on your designs.

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The Cosmos: Create a Spiral Galaxy


Step 1 – The Galaxy

We will begin with the main feature of this image and the most important. This is a very long step because of all the settings and clicks you have to go through, but its not complicated its just a matter of following it and you will see soon enough how we will progress through it and how each steps provides us with valuable content. Let’s begin by creating a document where we will be generating the base for the galaxy not the main image document; so go ahead and create a new document with the settings as shown here.

Now select black and fill in your canvas.

OK next create a new layer on top and go to the clouds filter and generate some.

Then you will go to difference clouds and generate some on the same layer twice.

This is what you should get after these steps.

OK now let’s create another layer and fill it up with black.

This time we will be using the fibers filter with the settings shown below.

Now just setup this new layer to overlay so it mixes nicely with the clouds we did before.

Next we will reduce the opacity of the cloud layer as shown to make the two blend even further, and then just flatten all the layers.

Now we will create a new layer, drag it to the bottom and fill it up with black.

OK perfect, now we will have to define a big circular selection with a feather of about 50px over our texture.

Then you can either copy and paste it to a new layer or inverse it and delete what its outside to end up with a big soft circle of the texture we created.

OK next up to give some twist and form to this we will apply the warp filter a couple of times with the twist option as shown below.

As soon as you select the twist option you will get its options in the top bar so let’s type 100 for the bend setting.

This is what you will see in your Photoshop screen, so hit apply and repeat the process once more.

Once both warp distortions have been applied let’s use yet another filter; this time the twirl and use the settings shown below.

OK great now let’s duplicate the layer so we can add some more detail.

And in this new layer let’s apply a spatter filter with the settings shown here.

Here is what you will get from this last filter.

Now set this new effect to screen and reduce the opacity a bit to about 61%

Very good now make a duplicate of this last layer and apply some levels to it as shown below, so we get nice intensified highlights.

Perfect we are done with this filter bonanza, now select all the layers excluding the black background and merge them together.

OK now we are ready to create the document for the image we will be working on, so select new file and create it with the settings below.

Now fill the canvas with black.

Next we will copy and paste our galaxy work on to this new document and in a new layer, then we will use the distort command so it fits inside the top and bottom boundaries of the new document as shown below.

Before going any further let’s duplicate the layer and hide one of them by clicking on the visibility icon.

Then let’s distort the layer further as shown here so we get the appearance of perspective and also to adjust its size to what we want.

Once we have the image of the galaxy base setup let’s create on top of it a new gradient layer.

Let’s choose for the gradient a standard white to transparent gradient, and for the first color to the left let’s double click on it and select a blue color as shown below.

Now let’s setup the gradient to radial with an angle as shown here and while this dialog its open drag the center of the gradient to the center of the galaxy base.

Then set the scale to 127 and click OK. And now set this layer mode to overlay.

And now let’s distort the gradient layer itself to adjust its shape to our galaxy, so rasterize the layer and distort it as shown below.

Next just create a clipping mask so the gradient affects only the galaxy base and then merge the two layers together.

Now create a layer mask for the resulting layer.

And to proceed we will select a soft brush as shown below.

Then we will mask off sections of the galaxy as shown here to make it more dynamic and less disk like.

Now before we move on we will duplicate the galaxy layer once we are happy with the mask and hide the original for safe keeping.

Then on the visible galaxy layer right click on the mask thumbnail and select apply layer mask.

Now its time to start making this galaxy our own and unique at the same time so let’s go to our smudge tool and set the brush size as shown below.

We will start smudging some new flow and features to it as shown here.

Then let’s reduce the size of the brush quite a bit and start working on more tiny detail all around the galaxy introducing new features and detail, but at the same time following the established flow.

Here you can see what we are after by smudging our way through it, yet this is quite personal and its up to you how far we want to go here.

Next up let’s make a copy of our "safe" hidden layer, and once again apply the layer mask.

Now let’s bring this new layer copy all the way to the top.

Then apply a Gaussian blur filter to this layer with the settings shown here so we get the results below.

Also set this top layer to linear dodge.

And let’s adjust the levels directly for this layer as shown here

Here you can see the results of the process we have followed, looking quite nicely so far we have a detailed good looking galaxy base to work on.


Step 2 – Stars and Glow

Now all galaxies are made up mostly of stars, of course every star has planets, yet what we visually see is the stars, hundreds of billions of stars. So to try and illustrate this we will need a special brush just for it that will help us paint all these stars without spending the rest of the decade making them. Let’s make a new document as shown here, and fill it with black.

Now with this brush here and with 100% white we will click some defined dots randomly spread like shown below.

Now let’s drag a selection around these and invert the image so we get black dots on a white background.

Now just define the brush preset as shown here.

Now let’s go back to our image and scroll down the brush list to find the new brush. Now let’s setup the brush palette, first enabling scattering with the settings below.

Then enable shape dynamics with the pen pressure option and in the brush tip shape section let’s adjust the settings as shown.

Now let’s reduce the size of the brush a bit and start painting some stars in a new layer as shown below, that follow the flow of our galaxy. Don’t mind the fait look they have now we will fix that in a second.

Once we have covered the galaxy let’s select the layer and duplicate it twice.

You can see here the look of the stars gets intensified, now grab all the layer copies and merge them together.

Now we will randomly erase some of our stars by using the eraser and selecting for it a brush as shown below.

Now just adjust the settings below in the brush tip shape section.

Once we are happy and made the stars randomly distributed, let’s duplicate the layer once more and merge them. My results are shown below, at this point you can erase a bit more if you like or if you see any patterns that never look good.

In this image you can see the flow we are trying to enhance and accentuate by eliminating some of the stars.

Now we will start working on the central nucleus of stars. Every galaxy has its most accumulated stars in the center so for this let’s make a new layer.

We will now increase the brush a bit to make the stars more evident, and start working on the center of the galaxy building up the nucleus. You can disable the rest of the galaxy layer so you can see more clearly what are you adding.

Once satisfied with what we have we will duplicate the layer 3 times and of course then merge them all.

Now we can move scale and distort this layer in place plus I also erased some of it shown in red below.

Next up we will use the gradient tool and select the gradient I have included below and set it up to circular.

Now let’s drag this from the center of the galaxy as shown here.

Now setup this layer mode to hard light and you can see the results below.

Now let’s distort this gradient a bit so it fits nicely in our galaxy center.

Now in a new layer let’s make another gradient, this time set the layer to linear light.

And also distort it into place.

Now if needed just soft erase any hard edges that the gradient gets.

Next just reduce this layer opacity to around 64%

OK then we will create a new layer on top and select an almost white blue color.

Select our custom star brush again and enable shape dynamics with the pen pressure setting enabled. Then paint a bunch of new stars to add to the center of the galaxy.

Now grab a soft brush of about 50px and create a layer mask on this latest layer.

Now with black selected just mask off this layer as shown here, again following the flow of our spiral galaxy.

Great, now let’s make a duplicate of our original galaxy shape we have hidden

Right click on the layer mask and select "apply layer mask" then drag it all the way up below our last layer.

And set this layer mode to hue.

Now we will alter this layer color by setting up the hue saturation as shown below.

This is the result we get so far.

We will then add a layer mask here and make sure we have our soft brush still selected and at about 50px

Now mask off this layer influence as shown just leaving some streams of this golden yellow hue. Adapt the brush size if you need.

Now let’s select a dark brown as shown here, and make our brush very small about 2 or 1 px.

And then in a new layer let’s paint some dark matter streams as shown here.

Now let’s grab the smudge tool, also with a very tiny brush as shown.

Let’s go around smudging our dark streams a bit, to eliminate the stroke look they have.

Next with our tiny brush still selected we will choose a bright yellow color as shown here and add a bit of highlights to the strokes we have been working on as shown below.

Perfect, we have reached the end of this step and these are the results we have so far.

Best of Tuts+ in February 2011


Didn’t catch your usual Tuts+ reading during February? Here’s a catch-up on the best we have to offer!

Cgtuts+ CG and 3D Tutorials

  • ‘The Soviet Machine’ – Day 1

    The Soviet Machine’ – Day 1

    February saw the release of “The Soviet Machine”, a brand new multi-part tutorial series from new Cgtuts+ author Martin Kostov. The ‘Soviet Machine’ is a high poly modeling tutorial for 3d Studio Max. Throughout this amazing series, Martin will show you how to create accurate, highly detailed objects using only a few reference images. This is a great and easy to follow tutorial for both beginner and intermediate 3ds Max users alike. We know you’re going to love it!

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  • Tattered Cloth In Cinema4D – Day 1

    Tattered Cloth In Cinema4D – Day 1

    February also saw the release of an in-depth two part tutorial by new Cgtuts+ author Tony Rivera. Throughout the tutorial Tony shares some of his techniques for creating tattered cloth in Maxon’s Cinema4D. You will learn how to create this effect by making a flag simulation using the power of C4D’s Spline and Boole tools. This is a great starting point for any artist interesting in exploring the possibilities of cloth simulation inside Cinema4D!

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  • 118 Tree Bark Textures – CG Premium Content Pack

    Tree Bark Textures – CG Premium Content Pack

    In February Cgtuts+ was pleased to release two amazing texture packs from regular author and contributor Chandan Kumar. Chandan put together a huge collection of 118 awesome, high resolution tree bark textures for our Premium subscribers. These unique textures are presented at full size and in high resolution, sure to meet all of your texturing needs!

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Aetuts+ After Effects News and Tutorials

  • Dave Scotland’s 5 Handy Workflow Tips

    Dave Scotland’s 5 Handy Workflow Tips

    Today I really wanted to share some workflow tricks that I use on a daily basis in a production environment. Many of you might be familiar with these techniques, but there will be a lot of people that will definitely benefit from these tips. With the exception of the Reel Smart Motion Blur plug-in, all of these processes are built into After Effects. Whether youre a newcomer to After Effects or a seasoned veteran, you will definitely get something out of these great timesavers…

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  • Burst Through the Earths Surface In Style

    Burst Through the Earths Surface In Style

    This tutorial has three main parts. It covers the panorama background plate for the scene. It does NOT cover the rotoscoping of the actor (grrrr). Then, the jump is animated with Action Essentials II dirt footage composited in. Finally, the “camera move” effect is demonstrated from an intriguing zoom to epic wide angle!! Get your Jump on!

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  • What The Heck Is A Hex Value Anyway?

    What The Heck Is A Hex Value Anyway?

    In today’s Quick Tip, I briefly explain the history of and logic behind a color’s hex value. Enjoy!

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Psdtuts+ Adobe Photoshop Tutorials

  • The Cosmos: Create a Red Giant Star in Photoshop

    The Cosmos: Create a Red Giant Star in Photoshop

    When a star like our own reaches the end of its life, it begins to run out of hydrogen fuel in its core. Like a car running out of gas, it will begin to sputter, swelling to a size that could encompass every planet in our solar system out to Mars. When this happens, the sun will swallow the Earth and will spell certain doom for all life on our planet. Today’s tutorial is part of a 4-part series depicting the journey of the inhabitance of a dying world that must travel into the unknown to find a new world to call home. In this series, we will explore the cosmos from the perspective of this fictional civilization making their way through the universe and will demonstrate the techniques that you can use in Photoshop to depict your own cosmic scenery. In addition to written content, this tutorial also includes about an hour of video instruction to help you along the way. So what are you waiting for? Let’s get started!

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  • Create a Fictional Arctic Snow Frog in Photoshop

    Create a Fictional Arctic Snow Frog in Photoshop

    Photoshop is a great tool to create scenarios that can’t or don’t exist in real life. In today’s tutorial, we will combine several stock images and effects to create a fictional arctic snow frog in Photoshop. As you can see, some of his unfortunate friends are frozen into the ice behind him and his meal is frozen just out of reach. Let’s get started!

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  • Does Photoshop Really Cost Too Much?

    Does Photoshop Really Cost Too Much?

    Let’s be honest, Photoshop isn’t cheap. Most of us have probably complained about the cost of Photoshop, and Adobe products in general at some point in our careers. The fact is that none of us could do our job without it. It’s an advanced application meant for professional users. It is used by people in all walks of life, from photographers to web designers; but is it worth the $699 price tag? In this article, we will take a balanced look at whether or not Photoshop costs too much, not enough, or if it is priced just right.

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Webdesigntuts+ Web Design Tutorials

  • 5 Pitfalls to Avoid for New Web Designers

    Pitfalls to Avoid for New Web Designers

    New web designers often find themselves in a common scenario: fresh out of college or just barely starting your career… but unlike other careers where there are defined training programs to show you the ropes, you end up wandering around the internet, hoping to pick up enough experience to land a job. Today, I am going to discuss a few areas where rookie web designers can drop the frustration and begin making high quality web sites faster.

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  • Design a Beautifully Detailed Web Button

    Design a Beautifully Detailed Web Button

    Today we’re going back to basics with a simple, elegant, and professional button tutorial from Liam McCabe. Liam creates all sorts of great web elements, so he’s going to be a great guide through the process. If you’ve been looking for a way to spice up your designs with a uniquely styled button or UI element, look no further…

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  • Dissecting Web Design: The “App” Site

    Dissecting Web Design: The “App” Site

    Web apps, Android apps, iPhone and iPad apps and now, with the release of Mac apps, the world appears to be going app crazy! It seems that there is an app to cater for almost every situation… but in a digital marketplace, how do these apps promote themselves? With web design of course!

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Mobiletuts+ iOS, Android & Sencha Tutorials

  • Developing RESTful iOS Apps with RestKit

    Developing RESTful iOS Apps with RestKit

    RestKit is a powerful library that simplifies interacting with web services for iOS applications. In this article, written by RestKit creator and Two Toasters CTO Blake Watters, we will take a quick tour of RestKit’s feature set, get familiar with the core concepts presented by the library, and then explore some code samples to get a feel for what working with RestKit is really like.

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  • Build a Titanium Mobile Pizza Ordering App: Crust Selection

    Build a Titanium Mobile Pizza Ordering App: Crust Selection

    In this multi-part tutorial series, I’ll be teaching you how to build a Titanium Mobile app from start to finish. Specifically, you’ll learn how to build a Pizza Shop app that will allow customers to order a custom pizza on the go. In this tutorial, I will demonstrate how to setup the project and create a “Crust Selection” screen.

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  • Android Tablet Virtual Device Configurations

    Android Tablet Virtual Device Configurations

    Back in mid-2010 you learned about common Android Virtual Device (AVD) configurations. We’re now in tablet-crazed early-2011. In this quick tutorial, you’ll extend your knowledge of AVDs by learning how to create configurations for two of the most popular Android tablets.

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Vectortuts+ Adobe Illustrator Tutorials

  • Illustrator CS5 Variable Width Stroke Tool: Perfect for Making Tribal Designs!

    Illustrator CS5 Variable Width Stroke Tool: Perfect for Making Tribal Designs!

    Adobe Illustrator CS5 features a slew of fantastic new tools and functionality, but the one that jumped out at me and really grabbed my attention was the Variable Width Stroke Tool. The concept was great. And when I actually put it to use – the experience was even greater than my expectations. In part one of this two part series we’ll be creating a tribal design and improving our Illustrator work flow along the way.

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  • Learning at the Speed of Technology

    Learning at the Speed of Technology

    If you’ve been using design software for as long as I have, you will no doubt have more than a few obsolete skills up your sleeve. Those of you who have mastered the notoriously difficult QuarkXPress will know what I mean. Dropping to a 25% market share, behind InDesign, many Quark users found themselves having to learn a new piece of software just to stay relevant in the workforce. With the current speed of software updates, how can you be sure that your skills will stay relevant in the future?

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  • Create a Retro Style, Airline Destination, Travel Poster – Vector Premium Tutorial

    Create a Retro Style, Airline Destination, Travel Poster – Vector Premium Tutorial

    Today, we have another Vector Premium tutorial exclusively available to Premium members. If you want to learn how to create a poster design, in the style of 1950′s air travel tourism. We’ll take a look at the typographic qualities and composition of late 50′s posters, then utilize modern digital rendering techniques to create an illustrated Australia tourism ad campaign.

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Phototuts+ Photography and Post-Processing Tutorials

  • Shooting an Amazing Product Photo That Tells a Story

    Shooting an Amazing Product Photo That Tells a Story

    In the United States, around $400 billion is spent on advertising each year. That’s “billion” with a “b.” A slice of that goes to producing photos for those advertisements. Commercial photographers can make a career out of shooting objects for advertisements, and in this tutorial, I’ll walk you through the process. I’ll explain how to decide about props, setting, lighting and toning. Mastering the “product shot” could lead to your next six-figure income (or maybe just some great eBay auctions) – either way it will be fun.

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  • Film Is Alive and Well: Tips, Cameras, and Beginners Advice

    Film Is Alive and Well: Tips, Cameras, and Beginners Advice

    When I first got into photography almost 20 years ago, film was the de facto standard and, obviously, the only standard. For over a hundred years film was the only option. The greatest names in photography all shot film; I’m sure you’ve heard of Ansel Adams.

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Create a Powerful Mental Wave Explosion Effect

Have you ever wanted to use your mind to move an object? Use the Force to fling things out of your way? Unfortunately, we all know those types of abilities are impossible but using the power of Photoshop anything can be accomplished. In today’s tutorial we will demonstrate how to create a powerful mental wave effect using Photoshop. Let’s get started!

This tutorial was original published in April 2008


Step 1

Open a new document. I used 800x600px. Look for a road photo on the Internet. The one I used can be downloaded here. After downloading, place the photo in your document.

Step 1

Step 2

Now we need a photo of a person. The one I used can be found here. Once you have your photo, it’s time to extract the guy from the background. Using the Pen Tool(P) create a path like in the image below. After that go to the Paths Palette and create a selection from that path. Then go to Layer > Layer Mask > Reveal Selection. Lastly, I named this layer “dude.”

Step 2

Step 3

Go to Edit > Transform > Scale and reduce the size of the guy. Then go to Edit > Transform > Flip Horizontal. We do that to match the light direction.

Step 3

Step 4

Go to Image > Adjustments > Curves. The idea here is to darken the guy a little bit so he will fit better with the background. Use the image below as a reference.

Step 4

Step 5

Holding Cmd/Ctrl click on the mask thumb of the “dude” layer. That will create a marquee selection of the guy. After that create a new layer. Rename it to “shadow” and fill it with black. Then go to Edit > Transform > Distort and move the vertices to make the shadow in perspective. The last thing here is go to Filter > Blur > Gaussian Blur.

Step 5

Step 6

Grab the Ellipse Tool(U). Select Paths instead of Shape Layer. Create a Circle, like the image below. After that grab the Direct Selection Tool(A) and adjust the bottom of the circle.

Step 6

Step 7

Create a new layer. Rename it to “clouds.” Then go to Filter > Render > Clouds. While holding Alt, click on Clouds. After that go to the Path’s Palette and create a selection from the path and mask the layer.

Tip: As you will be using the Render > Clouds, you will probably need to apply the filter several times until you got the clouds just right. Keep working with it until the light and dark areas are in a good position.

Step 7

Step 8

Go to Filter > Liquefy. In the Liquefy Dialog Box select the Bloat Tool (B). Then for the settings use: Brush Size 550, Brush Density 100, Brush Pressure 100, Brush Rate 60, and Turbulent Jitter 75.

Then select the Show Backdrop Option. That will allow you to see the clouds and the background. It will be necessary to use the Bloat Tool in the right place. Click a few times and deselect the Show Backdrop. Then you will see the effect and will be able to repeat it more times in the correct place.

Step 8

Step 9

Change the Blend Mode of the cloud layer to Soft Light. Then create another layer and rename it to “Clouds 2″ and repeat Steps 7 and 8. We will need another cloud to make it more turbulent. This time, however, use Multiply for the Blend Mode.

After that, create yet another layer. Rename it to “Clouds 3″ and repeat Steps 7 and 8. For this layer use Color Dodge for the Blend Mode. The last thing here is with the Eraser Tool (E) delete some parts. This layer is used to give highlights to the clouds.

Step 9

Step 10

Group the “Clouds 3″ layer and go to Layer > Layer Mask > Reveal All. After that, select the Brush Tool (B), give it a black color, and mask some parts of the clouds that are close to the ground.

Step 10

Step 11

Select the “Clouds” layer and go to Filter > Sharpen > Sharpen More. Then repeat this Sharpen filter on Clouds 2 and 3 layers.

Step 11

Step 12

Create a new layer. Rename it to “Glow.” Fill it with white and go to the Path Palette. Create a selection from the clouds path as we did in Step 9. Then mask the layer.

After that go to Layer > Layer Style > Outer Glow. Use the default settings. Then go to Layer > Layer Style > Create Layer. This command will create another layer from the Outer Glow. You can delete the white layer and leave just the Outer Glow layer.

Step 12

Step 13

Create a folder called “Lights.” Move the “Glow” layer to this folder. Next select the “Glow” layer. Then go to Layer > Layer Mask > Reveal All. Then select the Brush Tool, black for the color, and start masking the glow. We need just the outline; however, some bright spots in the middle will give a nice result.

Step 13

Step 14

Create a new layer beneath the clouds group. Using the Elliptical Marquee Tool create a selection like the image below. Fill the layer with black and use 40% Opacity.

Step 14

Step 15

Go to Layer > Layer Mask > Reveal All. After that select the Gradient Tool(G) and use a black and white gradient. Then mask the layer, like in the image below.

Step 15

Step 16

Duplicate the layer and go to Layer > Layer Mask > Apply. Then go to Edit > Transform > Distort. Repeat the same thing we did for the shadow of the guy on this layer. Group these two layers and rename the group to “Shadows.”

Step 16

Step 17

Create a new layer right above the road photo. Go to Filter > Render > Clouds. Then go to Filter > Distort > ZigZag. Use 100 for the Amount and 5 for the Ridges. For the Style use Pond Ripples.

Step 17

Step 18

Now go to Edit > Transform > Distort. Distort the layer until you get the right perspective. After that, change the Blend Mode to Overlay. Again, as we are using Render Clouds, the results may vary so you might need to erase some parts to make it more realistic.

Step 18

Step 19

Create an Elliptical Selection like the image below. Then fill it with black. After that, create another Elliptical Selection, but smaller. Then delete that part of the layer. With the Magic Wand Tool(W) select the black part of the layer.

Step 19

Step 20

Duplicate the road’s layer and select it. Make sure that you still have the Marquee Selection from the Step 19. Then go to Layer > Layer Mask > Reveal Selection. You can delete the black ellipse layer from the Step 19 or just hide it.

Go to Layer > Layer Styles > Bevel and Emboss. This is another way to create the ripple effect. You could use Displace as well.

Step 20

Step 21

Go to Layer > New Layer Fill > Gradient. Use Radial for the Style. For the colors use #ddc396 and #2f1e00. Change the Blend mode to Color Dodge.

Step 21

Step 22

Here I used another image from Stock.Xchng, image. Just place it on top of all layers and change the Blend Mode to Overlay.

Step 22

Step 23

Now let’s make some adjustments. First, lets darken our Magneto dude a bit more. Select the Burn Tool(S) and burn the back of the guy. After that, change the Blend Mode of the “ripples” layer to Soft Light. You can delete some parts of the clouds as well.

Step 23

Step 24

Create a new folder, beneath the “dude” layer. Name the group “power” and change the Blend Mode to Color Dodge. After that, create a new layer inside of this group. Then using the Brush Tool with white color, create some lights coming from the hands of the guy. Tip: use a regular brush with 0% for the hardness.

After that you create another layer. Use some brushes to add more effects. I used some abstract brushes from http://brusheezy.com. Then add a Pink Outer Glow Layer Style.

Step 24

Step 25

Import the truck image, you can download it at image. Then with the Magic Wand Tool(W) select and delete the background of the photo. Leave just the truck. After that go to Edit > Transform > Flip Horizontal. Move the truck to the side of the road.

Step 25

Step 26

Go to Image > Adjustments > Curves and make the truck a bit darker. After that, using the Rectangular Marquee Tool(M), create a rectangular selection a bit bigger than the truck. Then go to Filter > Blur > Radial Blur. For the settings use Amount 2, Method use Spin, and set Best Quality. Next go to Filter > Blur > Motion Blur. Then use -75 degrees for the angle and 3 pixels for the Distance.

Step 26

Step 27

Now we will create the truck’s shadow. To do that select the Truck’s layer, click with the right button of the mouse and choose Select Pixels. Then create a new layer and fill it with black. Put this layer beneath the truck layer and go to Edit > Transform > Distort. Distort the shadow to make it look more real. Then go to Filter > Blur > Gaussian Blur. Change the Opacity of this layer to 60%.

Step 27

Step 28

Group the truck and the shadow layer and rename it to “truck.” Then organize your folders in the Layers Palette.

Step 28

Conclusion

You can add more elements to the image, like a traffic cone or more cars. But always change the curves in order to make the objects have the same lighting. That will make the image more realistic. For some effects, there will be many other ways to achieve a similar result. Experiment with different methods of achieving an effect, like we did with the ripples. Finally, stick with the ones you think are the best for that image.

Conclusion