Giveaway: Win over 70,000 Design Items from Grafpedia

Photoshop Star and Grafpedia have partnered to giveaway several VIP accounts to Photoshop Star readers.

Giveaway: Win over 70,000 Design Items from Grafpedia

About Grafpedia

Grafpedia.com is a popular website with lots of resources for web designers including tutorials. It also features one of the best premium member areas including more than 70,000 graphics resources.

Grafpedia premium member area includes more than 900 photoshop brushes, 29400 photoshop gradients, more than 1000 textures, more than 100 web elements and more than 130 templates ready to use. Every week new resources are added to premium member area to keep collection up to date.

Giveaway: Win over 70,000 Design Items from Grafpedia 1

Prize

We have six VIP accounts to giveaway: one winner will receive one commercial VIP account valued at $199. Five winners will receive one VIP account each valued at $49.

These accounts will give you access to more than 70,000 design items.

How to Win

You need to leave a comment on this post telling us why you would like to win using a valid email address so we can contact you in case you’ve won.

Giveaway details

This giveaway ends on Thursday, February 2nd 2012 after which the comments section on this post will be closed.
Only comment once.
The 6 winners will be randomly selected as always. First the winner of the commercial VIP account and after that more 5 winners will be selected to receive one VIP account.
Winners will be announced on a separate post so i advise you to subscribe to our RSS feed and follow us on Twitter or on our Facebook page. And winners will be contacted via e-mail.

Comments are moderated on this site and your comment may not show up right away. If we find any comments that do not follow the instructions on how to participate (described above) may not be published, or may be removed later on.

Good luck to everyone!

How to Create High Quality Metal 3D Text in Photoshop

Most of you probably know those awesome letters that were generated with 3D programs. But what about when you don’t have any particular program and you need to make 3D typography? This tutorial will show you how to create the 3D text shape and give it a high quality metal look using pure Photoshop. Check it out!

Editor’s note: This tutorial was originally published on Psdtuts in December of 2008.


Step 1

Let’s start with a new document of 1500 pixel by 1500 pixel, and 300px/inch resolution. Create a new layer, name it "3D TEXT_first." Then grab the Type Tool (T) and type big letters of your desired text, in my case it’s written as 3D TEXT. Also don’t worry if your text goes out of canvas, it has to be very big. Because we’re going to rasterize this layer and distort it in the next step.


Step 2

So now, right-click on the "3D TEXT_first" layer and select Rasterize Type. Then use Edit > Transform > Distort and create a nice perspective to our text by dragging the corners. Make sure your text is way smaller. This way you won’t lose its quality and the text won’t get blurry.

Tip: If you fail by distorting, and some text edges look fuzzy, use Filter > Sharpen > Unsharp Mask, and increase the Amount.


Step 3

Now that the text is way smaller and has a nice perspective, create a duplicate (Command + J) of this text layer and name it "3D TEXT_last." Switch to Move Tool (V) and use keyboard arrows to position the "3D TEXT_last" layer a bit above the "3D TEXT_first" layer. In my case this was 16 pixels up and 2 pixels right.


Step 4

Create duplicates (Command + J) of both text layers and position them as you see in the image below. Make sure you have exactly the same order as shown, as it’s important!


Step 5

Now turn off "3D TEXT_first" and "3D TEXT_last" layers. Select the "3D TEXT_first copy" layer and make around 60 copies (Command + J). Now, select "3D TEXT_last copy", go all the way down to the bottom of Layers Palette, hold Shift and left-click on the first "3D TEXT_first copy" layer – this should select all 60 layers. Next right-click on those layers and select Link Layers.


Step 6

Switch to Move Tool (V), select "3D TEXT_last copy" layer. Go to the upper toolbar of the move tool. Click on Distribute Vertical Centers and Distribute Horizontal Centers. Then notice that our letters were perfectly distributed creating a nice 3D shape. Next, select all linked layers and merge (Command + E). Name this layer "3D TEXT_merged."


Step 7

Go to Layers Palette, turn on "3D TEXT_last" and open this layer’s Blending Options. Apply a Gradient Overlay from #1a3236 to #cffffb. As for setting the Angle, try to make this gradient look darker on the top of letters, and lighter on the bottom of them.


Step 8

In the Layers Palette select "3D TEXT_merged," turn it off, then hold Alt and left-click on this layer’s thumbnail to load the selection. Make a new layer, name it "3D TEXT_colored" and fill it with #a6e6fe. Deselect (Command + D).


Step 9

Now go to "3D TEXT_colored" layer’s Blending Options. Select Gradient Overlay. Make sure you select the second preset in the Gradient Editor, that is Foreground to Transparent, and then set the color values starting as: #000000, #4a4747, #ffffff, #262626, #ffffff, and #000000. Next, depending on which direction your text is going, the Angle will be different. So in my case I set the Angle to 123, and as you can see the gradient goes through the center of the whole text. So that will be our lighting.


Step 10

Some spots and the top of the letters look too bright, so we need to create just a touch of shadow in places indicated below. So hold Alt, left-click on the "3D TEXT_colored" layer to load its selection, then create a new layer above the "3D TEXT_colored" layer, and name it "Shadows." Set your Foreground Color to #1a3236 or darker, then grab the Brush Tool (B), set Flow around 30%, Hardness to 0% and paint. Then Deselect (Command + D) once you’re done.


Step 11

Now let’s start giving this text a quality look. Go to the Layers Palette, hold Alt and left-click on "3D TEXT last" layer thumbnail to load its selection. Then create a new layer above all layers, name it "Shining lines." Grab the Rectangular Marquee Tool (M), right-click on your image and select "Stroke." Set Width to 1 pixel, Color to white, and Location to Center. Grab a nice big brush with Hardness 0% and Flow around 30%. Then erase everything except places indicated with arrows. These arrows point to lights, and those pointed edges need some shine. So make sure you leave them untouched.


Step 12

When you’re done erasing, create a duplicate of the "Shining lines" layer, lower its Opacity just a touch, and merge (Command + E) those two layers. You may switch for a moment to a black background to see if you did a good job with erasing, if not, make some further corrections. You should get something that looks similar to the image below.


Step 13

Now go to the bottom of the Layers Palette, select and turn on "3D TEXT first" layer, rename it to "Bottom shadow 1." Make a duplicate of it (Command + J), name this copy "Bottom shadow 2." Now apply Filter > Blur > Gaussian Blur to the "Bottom shadow 2" layer, with Radius of 3 pixels.


Step 14

Switch to the Move Tool (V), and by hitting keyboard arrows move this blurred shadow 5 pixels to the left. You need to create an illusion that the curvy text lines drop more shadows inside. So we do not need some outside parts of this shadow. Grab the Brush Tool (B) and softly brush parts of the shadow shown below. Don’t be to picky, there is no need to make an accurate erase. It’s OK if you leave some gray shadow edges, like in the second image below.


Step 15

Now go back and apply Filter > Blue > Gaussian Blur to the "Bottom shadow 1" layer. Set the Radius just a little smaller, like 2 pixel. Next, switch to the Move Tool (V), and by hitting the keyboard arrows, position this shadow 2 pixels down, and 2 pixels to the right. Let it cover the whole space under the letters, and remember to keep the shadow edges very thin.


Step 16

Great, we made our text really stand out. Next go to the Layers Palette, hold Command, left-click on the "Shining lines," "3D TEXT_last," "Shadows," and "3D TEXT_colored" layers. Now that you have selected them, drag these layers onto the Create a New Layer icon. Next, merge those copies (Command + E) and name this layer "Reflection." Place it above all layers and turn it off (it’s important to turn it off, so do not skip this step).


Step 17

Now, turn off the "background" layer, or even delete it, we no longer need it. Go to Image > Merge Visible, name this merged layer "TEXT." Position it above the "Reflection" layer. As you can see we have two similar layers with a small difference, the "TEXT" layer has a drop shadow, and "Reflection" has no shadow. We will be working now with the "TEXT" layer so let the "Reflection" layer remain invisible.

OK, let’s give these letters a higher quality look. Select the "TEXT" layer, duplicate it (Command + J), and this should automatically be named "TEXT copy," leave it this way. Then

change the "TEXT copy" layer Blending Mode to Overlay and Opacity to 63%. Next go to Edit > Adjustments > Gradient Map, and select the Black to White preset.


Step 18

Next, make another duplicate (Command + J) of the "TEXT" layer, and position it above all layers. Name it "Sharp edges" and by the way change it’s Blending Mode to Hard Light. Then go to Filter > Other > High Pass, set the Radius to 1 or 2 pixels. Lower this layer’s Opacity around 60-70%.


Step 19

Create a new layer below all layers, name it "Surface," press D on the keyboard to set colors to default. Grab the Gradient Tool (G) and create a large gradient, through the whole image, from top to bottom. You can start it outside the canvas. Then go to Edit > Transform > Distort, and give this surface a touch of perspective. It doesn’t have to be perfect. Because when you’re done, select the Crop Tool (C), and crop the image nicely to get rid of the surface edges.


Step 20

As I was looking to this image I thought the text is a little to bright for me, so next thing I did, was select the "TEXT" layer and apply Image > Adjustments > Brightness/Contrast. I lowered the Contrast all the way down.


Step 21

Next, go to the very bottom of the Layers Palette, and create new layer above the "Surface" layer, then name it "Glass". Grab the Paint Bucket Tool (G), fill this layer with color #3f3f3f. Then apply Filter > Noise > Add Noise, set the Amount to 28%, Distribution to Gaussian, and leave the Monochromatic option checked.


Step 22

Now, select Filter > Blur > Motion Blur, set the Angle to -90, and Distance to 144 pixels. Change this layer’s Blending Mode to Overlay, and set the Opacity to 50%. Grab the Brush Tool (B), then with a very nice soft brush of Hardness 0% and Flow around 20%, start erasing some spots of this blurred noise. Next erase places around the text to get a little of the glassy depth of the surface.


Step 23

In the end, I decided to colorize this whole image. If you want to get the same final color effect, go to Layers Palette and add an Adjustment Layer on the top of all layers. Pick Hue/Saturation. Make sure you have the Colorize option checked. Then set Hue to 201, and Saturation to 17.

Next, select the "Reflection" layer, turn it on. Lower its Opacity to 20-30%, switch to the Move Tool (V), and by hitting the keyboard arrows, position it a few pixels down to make a nice reflection. Then you can apply a Layer Mask and softly erase some of the reflection bottom.


Conclusion

That’s pretty much it, here is our quality 3D text, simply made in Photoshop. If you want to add some flat text to this image, make sure it’s going towards the perspective. Also, try to discover your own use for this 3D typography by experimenting with colors and lights. You can get many cool, various results.

Thanks for reading the tutorial, I really enjoyed making it. Hope you’ve learned something new. You can view the final image below or view a larger version here.

Subscribe to the Psdtuts+ RSS Feed for the best Photoshop tuts and articles on the web.


How to Create High Quality Metal 3D Text in Photoshop

Most of you probably know those awesome letters that were generated with 3D programs. But what about when you don’t have any particular program and you need to make 3D typography? This tutorial will show you how to create the 3D text shape and give it a high quality metal look using pure Photoshop. Check it out!

Editor’s note: This tutorial was originally published on Psdtuts in December of 2008.


Step 1

Let’s start with a new document of 1500 pixel by 1500 pixel, and 300px/inch resolution. Create a new layer, name it "3D TEXT_first." Then grab the Type Tool (T) and type big letters of your desired text, in my case it’s written as 3D TEXT. Also don’t worry if your text goes out of canvas, it has to be very big. Because we’re going to rasterize this layer and distort it in the next step.


Step 2

So now, right-click on the "3D TEXT_first" layer and select Rasterize Type. Then use Edit > Transform > Distort and create a nice perspective to our text by dragging the corners. Make sure your text is way smaller. This way you won’t lose its quality and the text won’t get blurry.

Tip: If you fail by distorting, and some text edges look fuzzy, use Filter > Sharpen > Unsharp Mask, and increase the Amount.


Step 3

Now that the text is way smaller and has a nice perspective, create a duplicate (Command + J) of this text layer and name it "3D TEXT_last." Switch to Move Tool (V) and use keyboard arrows to position the "3D TEXT_last" layer a bit above the "3D TEXT_first" layer. In my case this was 16 pixels up and 2 pixels right.


Step 4

Create duplicates (Command + J) of both text layers and position them as you see in the image below. Make sure you have exactly the same order as shown, as it’s important!


Step 5

Now turn off "3D TEXT_first" and "3D TEXT_last" layers. Select the "3D TEXT_first copy" layer and make around 60 copies (Command + J). Now, select "3D TEXT_last copy", go all the way down to the bottom of Layers Palette, hold Shift and left-click on the first "3D TEXT_first copy" layer – this should select all 60 layers. Next right-click on those layers and select Link Layers.


Step 6

Switch to Move Tool (V), select "3D TEXT_last copy" layer. Go to the upper toolbar of the move tool. Click on Distribute Vertical Centers and Distribute Horizontal Centers. Then notice that our letters were perfectly distributed creating a nice 3D shape. Next, select all linked layers and merge (Command + E). Name this layer "3D TEXT_merged."


Step 7

Go to Layers Palette, turn on "3D TEXT_last" and open this layer’s Blending Options. Apply a Gradient Overlay from #1a3236 to #cffffb. As for setting the Angle, try to make this gradient look darker on the top of letters, and lighter on the bottom of them.


Step 8

In the Layers Palette select "3D TEXT_merged," turn it off, then hold Alt and left-click on this layer’s thumbnail to load the selection. Make a new layer, name it "3D TEXT_colored" and fill it with #a6e6fe. Deselect (Command + D).


Step 9

Now go to "3D TEXT_colored" layer’s Blending Options. Select Gradient Overlay. Make sure you select the second preset in the Gradient Editor, that is Foreground to Transparent, and then set the color values starting as: #000000, #4a4747, #ffffff, #262626, #ffffff, and #000000. Next, depending on which direction your text is going, the Angle will be different. So in my case I set the Angle to 123, and as you can see the gradient goes through the center of the whole text. So that will be our lighting.


Step 10

Some spots and the top of the letters look too bright, so we need to create just a touch of shadow in places indicated below. So hold Alt, left-click on the "3D TEXT_colored" layer to load its selection, then create a new layer above the "3D TEXT_colored" layer, and name it "Shadows." Set your Foreground Color to #1a3236 or darker, then grab the Brush Tool (B), set Flow around 30%, Hardness to 0% and paint. Then Deselect (Command + D) once you’re done.


Step 11

Now let’s start giving this text a quality look. Go to the Layers Palette, hold Alt and left-click on "3D TEXT last" layer thumbnail to load its selection. Then create a new layer above all layers, name it "Shining lines." Grab the Rectangular Marquee Tool (M), right-click on your image and select "Stroke." Set Width to 1 pixel, Color to white, and Location to Center. Grab a nice big brush with Hardness 0% and Flow around 30%. Then erase everything except places indicated with arrows. These arrows point to lights, and those pointed edges need some shine. So make sure you leave them untouched.


Step 12

When you’re done erasing, create a duplicate of the "Shining lines" layer, lower its Opacity just a touch, and merge (Command + E) those two layers. You may switch for a moment to a black background to see if you did a good job with erasing, if not, make some further corrections. You should get something that looks similar to the image below.


Step 13

Now go to the bottom of the Layers Palette, select and turn on "3D TEXT first" layer, rename it to "Bottom shadow 1." Make a duplicate of it (Command + J), name this copy "Bottom shadow 2." Now apply Filter > Blur > Gaussian Blur to the "Bottom shadow 2" layer, with Radius of 3 pixels.


Step 14

Switch to the Move Tool (V), and by hitting keyboard arrows move this blurred shadow 5 pixels to the left. You need to create an illusion that the curvy text lines drop more shadows inside. So we do not need some outside parts of this shadow. Grab the Brush Tool (B) and softly brush parts of the shadow shown below. Don’t be to picky, there is no need to make an accurate erase. It’s OK if you leave some gray shadow edges, like in the second image below.


Step 15

Now go back and apply Filter > Blue > Gaussian Blur to the "Bottom shadow 1" layer. Set the Radius just a little smaller, like 2 pixel. Next, switch to the Move Tool (V), and by hitting the keyboard arrows, position this shadow 2 pixels down, and 2 pixels to the right. Let it cover the whole space under the letters, and remember to keep the shadow edges very thin.


Step 16

Great, we made our text really stand out. Next go to the Layers Palette, hold Command, left-click on the "Shining lines," "3D TEXT_last," "Shadows," and "3D TEXT_colored" layers. Now that you have selected them, drag these layers onto the Create a New Layer icon. Next, merge those copies (Command + E) and name this layer "Reflection." Place it above all layers and turn it off (it’s important to turn it off, so do not skip this step).


Step 17

Now, turn off the "background" layer, or even delete it, we no longer need it. Go to Image > Merge Visible, name this merged layer "TEXT." Position it above the "Reflection" layer. As you can see we have two similar layers with a small difference, the "TEXT" layer has a drop shadow, and "Reflection" has no shadow. We will be working now with the "TEXT" layer so let the "Reflection" layer remain invisible.

OK, let’s give these letters a higher quality look. Select the "TEXT" layer, duplicate it (Command + J), and this should automatically be named "TEXT copy," leave it this way. Then

change the "TEXT copy" layer Blending Mode to Overlay and Opacity to 63%. Next go to Edit > Adjustments > Gradient Map, and select the Black to White preset.


Step 18

Next, make another duplicate (Command + J) of the "TEXT" layer, and position it above all layers. Name it "Sharp edges" and by the way change it’s Blending Mode to Hard Light. Then go to Filter > Other > High Pass, set the Radius to 1 or 2 pixels. Lower this layer’s Opacity around 60-70%.


Step 19

Create a new layer below all layers, name it "Surface," press D on the keyboard to set colors to default. Grab the Gradient Tool (G) and create a large gradient, through the whole image, from top to bottom. You can start it outside the canvas. Then go to Edit > Transform > Distort, and give this surface a touch of perspective. It doesn’t have to be perfect. Because when you’re done, select the Crop Tool (C), and crop the image nicely to get rid of the surface edges.


Step 20

As I was looking to this image I thought the text is a little to bright for me, so next thing I did, was select the "TEXT" layer and apply Image > Adjustments > Brightness/Contrast. I lowered the Contrast all the way down.


Step 21

Next, go to the very bottom of the Layers Palette, and create new layer above the "Surface" layer, then name it "Glass". Grab the Paint Bucket Tool (G), fill this layer with color #3f3f3f. Then apply Filter > Noise > Add Noise, set the Amount to 28%, Distribution to Gaussian, and leave the Monochromatic option checked.


Step 22

Now, select Filter > Blur > Motion Blur, set the Angle to -90, and Distance to 144 pixels. Change this layer’s Blending Mode to Overlay, and set the Opacity to 50%. Grab the Brush Tool (B), then with a very nice soft brush of Hardness 0% and Flow around 20%, start erasing some spots of this blurred noise. Next erase places around the text to get a little of the glassy depth of the surface.


Step 23

In the end, I decided to colorize this whole image. If you want to get the same final color effect, go to Layers Palette and add an Adjustment Layer on the top of all layers. Pick Hue/Saturation. Make sure you have the Colorize option checked. Then set Hue to 201, and Saturation to 17.

Next, select the "Reflection" layer, turn it on. Lower its Opacity to 20-30%, switch to the Move Tool (V), and by hitting the keyboard arrows, position it a few pixels down to make a nice reflection. Then you can apply a Layer Mask and softly erase some of the reflection bottom.


Conclusion

That’s pretty much it, here is our quality 3D text, simply made in Photoshop. If you want to add some flat text to this image, make sure it’s going towards the perspective. Also, try to discover your own use for this 3D typography by experimenting with colors and lights. You can get many cool, various results.

Thanks for reading the tutorial, I really enjoyed making it. Hope you’ve learned something new. You can view the final image below or view a larger version here.

Subscribe to the Psdtuts+ RSS Feed for the best Photoshop tuts and articles on the web.


How to Create a Set of Highlighter Brushes for Illustrator

Get a free icon and vector bundle (worth $54) just for subscribing to our weekly newsletter!

A few months ago at Vandelay Premier we recently released a set of highlighter brushes for Adobe Illustrator,and in this tutorial we’ll show how you can accomplish the same thing on your own. We’ll scan some lines made by a highlighter and that will give us a nice brush for using whenever highlighter or marker effects are needed.

Highlighter Brushes

What you will need to complete this tutorial:

  • Highlighter
  • Paper
  • Scanner
  • Adobe Illustrator

Step 1: Draw Strokes with a Highlighter

Take your highlighter and paper and create some lines or strokes.

Step 2: Scan It

After you have some strokes on paper you are ready to scan them. This is what my scan looks like.

Highlighter Brushes

Step 3: Live Trace in Illustrator

We’ll be working with just one of the strokes for this tutorial.

Highlighter Brushes

Select the image and click on the arrow next to the Live Trace button.

Highlighter Brushes

This will open a drop down menu. Click on “Tracing Options” at the bottom of the list. You will then see a window that looks like this:

Highlighter Brushes

Now we’ll change some of the settings. You may need to experiment here, as your own scan will not be the same as the one we’re using for this tutorial. For this example we’ll change the threshold to 200. Threshold control how light or dark a color must be to be picked up by the trace. In this case our green highlighter is fairly light, so we’ll increase the threshold. If your scan is darker you may be able to leave this at the default setting.

We’ll also change the path fitting to 1, minimum area to 5, the corner angle to 10, and most importantly we’ll check the box for “ignore white”. By doing this, and white areas in the scan will be transparent instead of white.

Highlighter Brushes

If you plan to use the same setting for several different scans (which is likely if you are creating a set of brushes with the same style), click on “save preset” so you can run the same scan again without making the changes.

Highlighter Brushes

When you’re ready to run the trace, click the “Trace” button. After the trace is run it should look something like this:

Highlighter Brushes

Then you’ll need to click on the “Expand” button to complete the process of converting the image into a usable vector.

Highlighter Brushes

Step 4: Turn it into a Brush

Next, use the selection tool to select the highlighter stroke and tilt it so that the stroke is as straight as possible. If your scan is already straight, you can skip this.

Highlighter Brushes

Click on the brushes icon.

Highlighter Brushes

Click on the down arrow.

Highlighter Brushes

Then select “New Brush” and “Art Brush”. That will open up the Art Brush Options.

Highlighter Brushes

Give your brush a name, select “Scale Proportionately”, and change the colorization method to “Tints”. (Changing the colorization method to “tints” allows you to use the brush in any color).

Highlighter Brushes

After you’re done, click “Ok”. Your brush is now ready!

Highlighter Brushes

You can now try using the brush. Select the brush tool, select your new brush, and create a stroke.

Highlighter Brushes

You can change the color by selecting the path and changing the color of the stroke.

Highlighter Brushes

Highlighter Brushes

Step 5: Creating the Brush Set

If you want to continue and create a set of brushes you can repeat the process with the other strokes that you created. In this example we have a set of 3 brushes:

Highlighter Brushes

Then, save the file that includes all of your custom brushes as a .ai file. When you want to use your custom brushes on another file, click on the down arrow:

Highlighter Brushes

Then select “Open Brush Library” and “Other Library”.

Highlighter Brushes

Then browse to find the file on your computer. When you open the brushes file your see a window that allows you to select any of the brushes in that set.

Highlighter Brushes

You now have a set of custom highlighter brushes that you can use at any time.

For more tutorials please see:

Royalty-Free Graphics

Sneak Peek at Adobe Photoshop CS6

In this video, Photoshop Senior Product Manager Bryan O’Neil Hughes gives us a sneak at Adobe Photoshop Camera Raw and Adobe Photoshop CS6. The most dramatic change that you will notice from this video might be the darker color of the new interface (although this can be adjusted). What do you think? What features would you like to see in Photoshop CS6 when it is released some time during the first half of 2012?



Create a Medieval Battle Axe in Photoshop

Photoshop is an excellent tool for manipulating photographs but it can also be used as a means to create stunning digital art. This tutorial is part of a 25-part video tutorial series demonstrating everything you will need to know to start producing digital art in Photoshop. Digital Art for Beginners, by Adobe Certified Expert and Instructor, Martin Perhiniak will begin by teaching you how to draw in Photoshop. At the conclusion of this series you will know all you need to produce your own concept art and matte paintings in Photoshop.

Today’s tutorial Part 21: Create a Medieval Battle Axe in Photoshop will demonstrate how to construct a medieval battle axe in Photoshop. This tutorial will cover several techniques but don’t worry, it won’t be too difficult to follow. Let’s get started!



Ultimate Roundup of Photoshop Custom Shapes

Get a free icon and vector bundle (worth $54) just for subscribing to our weekly newsletter!

Photoshop presets like brushes and patterns get more attention, but custom shapes can be equally useful. Because custom shapes are vectors, they can be scaled to larger sizes with no decrease in quality.

In this post we’ll link to some of the best custom shapes sets that can be downloaded for free. As always when working with freebies, be sure to read the terms of use or license details to make sure that you are using it in accordance with the designer’s guidelines.

You may also be interested in:

Web Shapes

Web Shapes

Hand-Drawn Arrows

Hand-Drawn Arrows

Chat Shapes

Chat Shapes

Speech Balloon Shapes

Speech Balloon Shapes

People Silhouettes

People Silhouettes

Costumes and Characters

Costumes and Characters

Silhouettes of People

Silhouettes of People

People Shadow Set

People Shadow Set

Fashion Girl’s Silhouettes

Fashion Girl's Silhouettes

Dancer Shapes

Dancer Shapes

Floral Shapes

Floral Shapes

Flower Shapes

Flower Shapes

Tree Silhouettes

Tree Silhouettes

Dead Trees

Dead Trees

Live Trees

Live Trees

Plan View Trees

Plan View Trees

Hoops

Hoops

People Shapes

People Shapes

Birds

Birds

Animal Shapes

Animal Shapes

Sea Creatures

Sea Creatures

World Maps

World Maps

United States

United States

Guns

Guns

Ray Guns & Laser Blasters

Ray Guns & Laser Blasters

Maritime

Maritime

Paperclips

Paperclips

Kiddy Stuffs

Kiddy Stuffs

Summer Time Shapes

Summer Time Shapes

Circle Shapes

Circle Shapes

Wavy Lines

Wavy Lines

Batman Vector Shapes

Batman Vector Shapes

50s Custom Shapes

50s Custom Shapes

Bugs

Bugs

Flying Bugs

Flying Bugs

Media Shapes

Media Shapes

Different Speaker Shapes

Different Speaker Shapes

RSS Feed Shapes

RSS Feed Shapes

CDs

CDs

Tag Custom Shapes

Tag Custom Shapes

Royalty-Free Graphics

How to Make Facial Retouching in Photoshop

One more tutorial teaching you how to make a man facial retouching in Photoshop.

Final Image Preview

How to Make Facial Retouching in Photoshop

Resources


Step 1

Start by opening photo.

How to Make Facial Retouching in Photoshop 1

We are going to start by removing skin problems. Select Healing Brush Tool. This tool lets you correct imperfections, causing them to disappear into the surrounding image. Like the cloning tools, you use the Healing Brush tool to paint with sampled pixels from an image or pattern. However, the Healing Brush tool also matches the texture, lighting, transparency, and shading of the sampled pixels to the pixels being healed. As a result, the repaired pixels blend seamlessly into the rest of the image.

Set up the brush size about 20 pixels. Set the sampling point by positioning the pointer over an area of the image and Alt-clicking. Then click or drag in the place where you want to apply sampling point. The sampled pixels are melded with the existing pixels each time you release the mouse button.

How to Make Facial Retouching in Photoshop 2

It’s very important to leave natural look for the skin so you should have at least leave some small defects. We are going to remove some wrinkles also. When you finish working with Healing Brush Tool you should have something similar to image below.

How to Make Facial Retouching in Photoshop 4

Step 2

Duplicate background layer with Ctrl+J. Apply Image > Adjustments > Desaturate to convert image to grayscale values.

How to Make Facial Retouching in Photoshop 5

Apply Filter > Sharpen > Sharpen More.

How to Make Facial Retouching in Photoshop 6

Change layer mode to Multiply.

How to Make Facial Retouching in Photoshop 7

Reduce layer opacity to 60%.

How to Make Facial Retouching in Photoshop 8

Step 3

Duplicate background layer again with Ctrl+J. Move it on top of all layers and apply Image > Adjustments > Brightness/Contrast.

How to Make Facial Retouching in Photoshop 9
How to Make Facial Retouching in Photoshop 10

Apply Image > Adjustments > Hue/Saturation.

How to Make Facial Retouching in Photoshop 11
How to Make Facial Retouching in Photoshop 12

Change layer mode to Multiply.

How to Make Facial Retouching in Photoshop 13

Step 4

Duplicate background layer again with Ctrl+J. Move it on top of all layers and apply Image > Adjustments > Brightness/Contrast.

How to Make Facial Retouching in Photoshop 14
How to Make Facial Retouching in Photoshop 15

Change layer mode to Screen.

How to Make Facial Retouching in Photoshop 16

Step 5

We still need to make some additional color correction on this photo. Select Layer > New Adjustments Layer > Color Balance.

How to Make Facial Retouching in Photoshop 17

Go to Window > Adjustments and set up following presets for this layer.

How to Make Facial Retouching in Photoshop 18
How to Make Facial Retouching in Photoshop 19

Step 6

To complete this tutorial let’s change exposure a bit. Select Layer > New Adjustments Layer > Exposure.

How to Make Facial Retouching in Photoshop 20

Go to Window > Adjustments and set up following presets for this layer.

How to Make Facial Retouching in Photoshop 21

Final Image

How to Make Facial Retouching in Photoshop

This tutorial is complete. We got a nice retouching result and applied a good photo effect.

The Best Looking Beer Cans – a Beer Can Appreciation Day Special

January 24 marks the 77th anniversary of the day Gottfried Krueger Brewing Co. first brought canned beers into the market. Though it hasn’t been (and probably never will be) declared an official holiday, more and more people are celebrating Beer Can Appreciation Day to pay tribute to the creation that has changed the experience of buying, keeping and drinking beer, forever.

YTD takes part in the Beer Can Appreciation day celebration with this collection of 35 tasteful beer can designs. Check them out and don’t forget to leave a comment after. Cheers!

 

Hurlimann Sternbrau

Beer-Can-Appreciation-Day-01

SAA Design
View Source

 

Intuition Ale Works

Beer-Can-Appreciation-Day-02

DeRouen & Co
View Source

 

Upslope Brewing Brown Ale

Beer-Can-Appreciation-Day-03

Anthem Branding
View Source

 

Great Western

Beer-Can-Appreciation-Day-04

Saint Bernadine Mission Communications
View Source

 

Heineken Rugby World Cup 2011

Beer-Can-Appreciation-Day-05

Raison Pure
View Source

 

Bulldozer Beer

Beer-Can-Appreciation-Day-06

Firstbase
View Source

 

Arctic Beer

Beer-Can-Appreciation-Day-07

Tank
View Source

 

Howe Sound Lager

Beer-Can-Appreciation-Day-08

The Antidote Inc.
View Source

 

Club Colombia Special Edition

Beer-Can-Appreciation-Day-09

JWT
View Source

 

Tui Repackaged

Beer-Can-Appreciation-Day-10

DesignWorks
View Source

 

Glow

Beer-Can-Appreciation-Day-11

 

Beer-Can-Appreciation-Day-12

Neumeister
View Source

 

Smrprty

Beer-Can-Appreciation-Day-13

Tank Design
View Source

 

Abro Organic Lager

Beer-Can-Appreciation-Day-14

Mattias Frodlund
View Source

 

Austin Beerworks

Beer-Can-Appreciation-Day-15

Helms Workshop
View Source

 

Pilsner

Beer-Can-Appreciation-Day-16

TAXI
View Source

 

Vintage Packaging – Beer Cans

Beer-Can-Appreciation-Day-17

Hello Again
View Source

 

Guinness Beer can re-design

Beer-Can-Appreciation-Day-18

Tamara Maksimovic
View Source

 

Diesel 6%

Beer-Can-Appreciation-Day-19

Pavel Gubin
View Source

 

Grolsch Beer Can FC Twente season 2011

Beer-Can-Appreciation-Day-20

Elroy Klee
View Source

 

“1410″ Beer can design

Beer-Can-Appreciation-Day-21

Ignas Kozlovas
View Source

 

beer can packaging

Beer-Can-Appreciation-Day-22

Sergey Prostov
View Source

 

Carling beer brand design

Beer-Can-Appreciation-Day-23

Ingrida Liepyte
View Source

 

Beer Can Label Design

Beer-Can-Appreciation-Day-24

Gradinar Razvan
View Source

 

Brøckhouse 33cl Can

Beer-Can-Appreciation-Day-25

Morris Pinewood
View Source

 

Saku On Ice 0,5L Can

Beer-Can-Appreciation-Day-26

Hannes Paesoo
View Source

 

Asahi Breweries

Beer-Can-Appreciation-Day-27

Phil Munro
View Source

 

John Davey’s Cornish Bitter

Beer-Can-Appreciation-Day-28

Pascal de Moratti
View Source

 

Miller Cans

Beer-Can-Appreciation-Day-29

Tim Pokrichuk
View Source

 

Three Towns Premium Lager (2009)

Beer-Can-Appreciation-Day-30

Mikael Hulkko
View Source

 

Hockley Valley Brewing Co.

Beer-Can-Appreciation-Day-31

Andrew Oliver
View Source

 

Latas tematicas Nova Schin

Beer-Can-Appreciation-Day-32

Fausto Uehara
View Source

 

Heisenberg Beer

Beer-Can-Appreciation-Day-33

This is
View Source

 

package design

Beer-Can-Appreciation-Day-34

Tim Murphy
View Source

 

Negra Modelo

Beer-Can-Appreciation-Day-35

Mauricio Muñoz
View Source

 

Beer Can Appreciation day (we’d like to believe) wasn’t just created to give people an excuse to drink more beer. A bit of research about beer cans would tell you that they do deserve our appreciation.

First, beer cans are relatively cheaper than beer bottles. They require minimal energy to produce and most of the materials used in these aluminum cans can be reused to manufacture new ones. Second, beer cans do a better job in preserving the beer’s flavor. Aluminum cans prevent beer from being “skunked” due to exposure from UV light. They are also very durable and contain lower oxygen levels than bottles which increases shelf life. Lastly, the variety of beer can designs makes them perfect collector’s items. And with beer cans that look as good as the ones above, you couldn’t blame people, like us, for being more interested in the cans than the booze!

 

Quirky and Creative 2D Illustrations and Concept Art

Concept art plays an important role in the creation of just about any animated movie or video game. In this article we will feature some quirky and creative illustrations and concept art from some amazing artists and illustrators. Let’s take a look!


Niddler – The Pirates of Dark Water


Easter Goblin


Old Yoda


Smurf Sighting


Beam Me Up Scotty


Cockroach Smoko


Playtime


I Love My Planet


Konk – The Pirates of Dark Water


The Adventure Of Sanitary Ware


Pinocchio-Born With Anger


Early Bloom


Alien’s Picnic