46 Tremendous 3D Wallpapers for your Inspiration

If you’re familiar with 3D modelling, you ought to know that designers can form just about anything given the powerful tools available like Lightwave 3D , 3D Studio Max and  Adobe Photoshop. You can find hundreds of awesome 3D works such as three dimensional abstract illustrations and landscapes all over the internet. Lucky for you, most of them were designed to be desktop wallpapers which you can download for free! And due to their wide variety, you’ll always be able to find something fresh and impressive that would be a perfect for your own desktop.

We’ve done you a favor by collecting some of the best free (for personal use) 3D Wallpapers from some of the most popular desktop wallpaper design websites in the internet. Be inspired by these tremendous 3D Wallpapers and download your favorite works by clicking on their source.

 

Storm In A Glass Wallpaper

3D-Wallpapers-01
 Download Source

 

Computer Music Wallpaper

3D-Wallpapers-02
 Download Source

 

Orange Choas Wallpaper

3D-Wallpapers-03
 Download Source

 

3D Heaven

3D-Wallpapers-04
 Download Source

 

Nice Lamp Wallpaper

3D-Wallpapers-05
 Download Source

 

Glossy Geometry Wallpaper

3D-Wallpapers-06
 Download Source

 

Cubes Wallpaper

3D-Wallpapers-07
 Download Source

 

Comine Troops Wallpaper

3D-Wallpapers-08
 Download Source

 

Atlantes Pulse Wallpaper

3D-Wallpapers-09
 Download Source

 

Adni Holidays2 Wallpaper

3D-Wallpapers-10
 Download Source

 

3D Robo Wallpaper

3D-Wallpapers-11
 Download Source

 

Acarius Sunset

3D-Wallpapers-12
 Download Source

 

Beautiful Rainbow

3D-Wallpapers-13
 Download Source

 

Paradise Gone

3D-Wallpapers-14
 Download Source

 

Winter Blue

3D-Wallpapers-15
 Download Source

 

Morning In The Woods

3D-Wallpapers-16
 Download Source

 

The Pond

3D-Wallpapers-17
 Download Source

 

The Cube Wallpaper

3D-Wallpapers-18
 Download Source

 

Birds Of Prey Wallpaper

3D-Wallpapers-19
 Download Source

 

Outer Space Wallpaper

3D-Wallpapers-20
 Download Source

 

Chamber Wallpaper

3D-Wallpapers-21
 Download Source

 

Neuron Wallpaper

3D-Wallpapers-22
 Download Source

 

Netwerk 202020 Wallpaper

3D-Wallpapers-23
 Download Source

 

need for speed the run

3D-Wallpapers-24
 Download Source

 

In blue space

3D-Wallpapers-25
 Download Source

 

Dream island sunset

3D-Wallpapers-26
 Download Source

 

Cubes everywhere

3D-Wallpapers-27
 Download Source

 

Fusion abstract

3D-Wallpapers-28
 Download Source

 

Cubic wallpaper

3D-Wallpapers-29
 Download Source

 

Round and round

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 Download Source

 

Glowing

3D-Wallpapers-31
 Download Source

 

Water bubbles

3D-Wallpapers-32
 Download Source

 

High speed

3D-Wallpapers-33
 Download Source

 

Dice in color

3D-Wallpapers-34
 Download Source

 

Hell Prison

3D-Wallpapers-35
 Download Source

 

Cubis

3D-Wallpapers-36
 Download Source

 

Mystery Blue

3D-Wallpapers-37
 Download Source

 

Experiment

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 Download Source

 

Under Construction

3D-Wallpapers-39
 Download Source

 

Eyes Army

3D-Wallpapers-40
 Download Source

Aurora Wallpaper

3D-Wallpapers-41
 Download Source

Eternal Flame

3D-Wallpapers-42
 Download Source

 

Caramel Rings

3D-Wallpapers-43
 Download Source

 

Jazz Blue

3D-Wallpapers-44
 Download Source

 

Black Mess

3D-Wallpapers-45
 Download Source

 

All Wound Up

3D-Wallpapers-46
 Download Source

 

Best of the Web – September 2011

As you know, each month, we round up some of the best Photoshop-related content from around the web. This month, there were some excellent Photoshop tutorials and articles to choose from so please take a moment to review our favorites from September 2011.


Photoshop Tutorials

  • Nike Hair in Photoshop

    This tutorial from Abduzeedo will demonstrate how to create a Nike logo from human hair.

    Visit Tutorial

  • How to Paint an Artwork of a Fox Inside Photoshop

    This digital painting tutorial from PhotoshopTutorial.ws will explain how to paint an illustration of a fox from scratch in Photoshop.

    Visit Tutorial

  • Getting Perfect Interior Shots

    If you’ve searched for a new home or apartment online you’ve probably seen some terrible interior photos, probably taken from a camera phone. This tutorial from the Digital Photography Connection will explain how to get the perfect interior shot for your real estate listing.

    Visit Tutorial

  • Chop up Your Paintings

    This short video from Ctrl Paint will show a simple trick to help you change direction in mid-painting to help save hours of work.

    Visit Tutorial

  • Photoshop Mastery: 25 Techniques Every Designer Must Know

    This article on WeGraphics will show 25 tips that every designer should know to help master Photoshop.

    Visit Tutorial

  • Message in a Bottle

    This tutorial from AlfoArt will explain how to create a message in a bottle illustration in Photoshop.

    Visit Tutorial

  • Design a High Intensity Video Game Cover

    This tutorial from Psdfan will explain how to create a cool video game cover in Photoshop.

    Visit Tutorial

  • How to Create a Dramatic Sci-Fi Photo Manipulation in Photoshop

    This tutorial from PhotoshopTutorials.ws will explain how to create a dramatic sci-fi photo manipulation in Photoshop.

    Visit Tutorial


Articles, Inspiration, and Freebies

  • 8 Ways to Get the Selection You Want in Photoshop

    Getting the perfect selection can be a tricky thing to do. Photoshop is great because it gives us several options to help select the right amount of pixels.

    Visit Article

  • What Popular Movies Can Teach Us About Design

    Movies often inspire designers. This article on Noupe explains what else movies can teach us about design.

    Visit Article

  • A Showcase of Artistic Typography

    This round up on Noupe showcases some fantastic artistic typography.

    Visit Article

  • Content Meaning

    In this article from Design Informer you will learn the importance of good content.

    Visit Article

  • Inspirational Showcase of Amazing Typography Designs

    This post on Spoon Graphics showcases some amazing typography designs.

    Visit Article

  • Eight Hand-Stained Paper Textures

    This post on Lost and Taken features some excellent stained paper textures that you can use in your work.

    Visit Article

  • Beautiful Food and Drink Packaging Design

    This post from One Extra Pixels showcases some fantastic examples of food and drink packaging.

    Visit Article

  • Advertising as We Know it is DEAD

    Is advertising as we know it dead? This article from Web Designer Depot explores this topic in detail.

    Visit Article


The Mythical Paperless World: Why Print Will Stick Around

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The Mythical Paperless World: Why Print Will Stick Around

Print is dead. Long gone will be the days where newspaper staff members struggle to get "to press," where magazine editors sweat and toil over sending off final proofs to the printer.

Speculators and soothsayers everywhere whisper of the e-book’s pending dominance, its utter defeat over the long time champion, The Noble Book.

Paper will be an extinct technology in [insert alarming number here] years.

You’ve almost certainly heard some iteration of this discussion; it’s been showing up with increasing frequency over the past two decades.

Some want real books dead, calling them wasteful and outdated. Others cling to the sentimental value of books, taking into consideration the sensory experience gained from holding a beloved tale.

Either way, the argument is lively and heated, with many careers and a widespread industry hanging in the balance.

Whether the futurists and idealists believe it or not, there are enough extant circumstances to ensure print’s place in this world for some time to come. There are too many anchors, limitations and exceptions that exist in the "print industry" to see it wither into dust.

By the way, the phrase "print industry," the way it’s used, is a bit of a poppycock misnomer. What lies behind this whole argument is something a bit deeper.

It’s the Paperless World that everyone is expecting. They have been for years. And it’s gone the way of our jetpacks and Moon-based theme parks.

What is "Print"?

Let’s set the record straight here once and for all: print is not synonymous with newspaper.

Too often, the decline of newspapers is equated with a move toward a paperless world. When people say that print is a dying industry, they’re often talking specifically about traditional newspaper industries, and sometimes magazines and e-books.

It’s not too difficult to see that print sales — ahem, newspaper sales — are down significantly since the proliferation of Internet access.

The State of Newspapers

Since we’re here, let’s talk for a second about newspaper. New research out of the Pew Internet & American Life Project suggests that newspapers are more useful than anyone’s giving them credit for.

Sure, those of us with birds, reptiles or accident-prone puppies still find plenty of use for the old rags. But surprisingly, people still rely on newspapers for the following information:

Where people get news and information about their local community. Source: Pew Internet & American Life Project

You’re probably seeing a pattern by this point. Local newspapers still serve a purpose. When newspapers weren’t on top, in terms of local news, television was. Almost exclusively.

In fact, according to Pew, the only local news people overwhelmingly searched for on the Internet was restaurant/business-related. In other words, they looked up menus, hours, directions, etc.

Sure, there are web publications that are trying to get the jump on the local news beats. But several of them are content farms (such as Examiner.com), and others, like AOL’s Patch effort, have yet to prove that they can be at all profitable. With low page views, it’s not looking good.

Regardless, it does seem like newspapers will be the first print-based communication to go fully digital. After all, when the business heads behind the big papers — New York Times, Boston Globe, LA Times and so on — figure out how to make their online presence profitable (because that’s still a major challenge) of course they’ll shut down print operations.

What About Books?

When dead-print proselytizers aren’t citing newspaper sales as the pudding’s obscured proof, they draw books kicking and screaming into the argument.

Their sales have indeed been affected by e-book sales — Amazon recently announced that for every 100 print books sold, 105 e-books were sold.

As grim as this looks, print — all methods of paper production and consumption for use in communications — is still a remarkably huge player in day-to-day corporate and governmental operations.

And until that changes, paper and printed materials aren’t going anywhere.

How Technology Catches On

There are a number of factors that precede widespread technological change. In order to consider this on a wide scale, we have to look at the adoption of technology — in this case, the abandoning of paper for electronic substitutes — in terms of a social construct.

Consider for a moment Rogers’ diffusion of innovation theory (PDF). There are four major elements of technological diffusion. These are:

  1. Innovating the tech
  2. Communication and awareness
  3. Time
  4. Social architecture to adopt change

The innovation already exists. No one can really argue that. There’s no good reason we haven’t achieved the mythical paperless office if we’re going on technology alone.

We can read PDFs on our computers and mobile devices. We can sign documents electronically (and do so pretty safely).

We can go without checks and bank statements and invoices altogether, thanks to various online banking/money services. Oddly enough, although paperless banking isn’t close to a reality in the U.S., it is in many poorer countries.

There’s no evident reason that newspapers, magazines and books aren’t wholly online now.

The tech exists, and so do the means of communicating these technologies.

But there are clearly barriers somewhere.

Firstly, people still prefer to have paper in their hands to read. We sign things — and always have — to proclaim that we agree. There are major trust issues with going completely paperless (as can be seen in the print-is-dead documentary and Chris Farley vehicle, Tommy Boy) and it’s not just the "luddite old folks," as said an unnamed friend and coworker of mine.

Print is legacy — arguably the most prominent legacy technology we have — and as new, younger, hipper folks move into business, they’re still integrating into this legacy.

Doing away with paper would likely cause a major hiccup in out-of-office communications and agreements, and that hiccup wouldn’t look too good for short-term profitability.

"But Kristina," said a trusted advisor of mine, "businesses everywhere are popping up with vows to never touch a fax machine, even to never use pens." Even Wired magazine, in its early years, strongly encouraged its staffers to never touch a pen (see Gary Wolf’s Wired: A Romance).

20 years later, I assure you, plenty of pens are floating around. And even more paper.

Start-ups simply don’t represent enough of the corporate world to be indicative of, well, anything. In fact, paper sales have remained pretty steady since the birth of online news and digital books. You can make yourself dizzy — as I have — ploughing through paper statistics, through increases and decreases, but it all basically comes out in the wash.

In short, in light of the technological innovation we’re faced with, the social architecture just doesn’t exist yet for a paperless world. And these things take time. Lots of time.

So while there are some elements of technological diffusion in place for the death of print to occur, arguably the most important — social architecture — just doesn’t. Not for most people, anyway.

In the end, one of the most important factors of adoption is recognition of advantage, which almost always boils down to personal cost. If we’re talking on an individual level (and we should be, because even corporate decisions boil down to individual decisions at some point), it’s best to take Maslow’s hierarchy of needs into consideration.

For those people concerned with cost — and that’s practically everyone if we look at the world as a whole, rather than just the top 2% in the U.S. — there’s a very high barrier to entry for banishing paper from their lives (buy a Kindle, buy a laptop, a computer, Internet connection, so on).

Even in the U.S., the average combined income per household as of 2009 was around $50,000. The average household has 2.6 people.

I’m not here to get political, of course, just to point out that it’s easy for futurists and print-doomsdayers to get lost in what might be a limited view of "society."

Without this social context, such technological change is unlikely to occur with any relevance. Granted, Rogers’ diffusion theories are based largely on medical and agricultural models, but the ideas behind the spreading of technologies remain similar.

And yes, we can go through history and compare the printed page to any number of technologies. We can walk through the annals of obscurity and poke fun at print, comparing to the ghosts of cassette tapes, CDs, MP3s, records, radio, typewriters and anything else that’s fizzled out of the mainstream consciousness.

But print is different.

All those other obsolete technologies were replaced with other tangible alternatives. (Except maybe MP3s, but humans have never engaged intimately with the music medium like they have with books.)

There’s something to be said about leaving our physical mark on the world, even if that mark is incredibly wasteful. Then again, e-books aren’t necessarily any better for the environment.

Paper doesn’t require a power source after its creation. Paper can be held, marked upon, shared, smelled, shredded, recycled and found just about anywhere. There’s no black market for paper, and burning it doesn’t change your DNA.

Paper can be passed down through generations. And if I’m beginning to sound sentimental, it’s because I can be. Kids are still growing up with storybooks, coloring books, paper tests with grades, Highlights and so on. Even techie parents give their kids printed materials.

Our world runs on paper. We have long-standing infrastructures that depend on it, from governmental to corporate. And while e-books and the Internet will probably change that eventually, it probably won’t be in my lifetime. Or yours.

Related Content

About the Author

Kristina Bjoran is a science writer based in San Francisco, California. She works in editorial at Wired magazine and is a managing editor at UX Booth. Connect with her on Twitter, Facebook and Google+.

Create 3D Displacement Effects – Psd Premium Tutorial

In this Psd Premium tutorial, author Mark Mayers will walk you through the creative process of applying some cool halftone and 3D displacement effects. The main focus of this tutorial is to explore Photoshop’s often-misunderstood Displace Filter and how it can be utilized to re-create a popular style of illustration. This tutorial is available exclusively to Premium Members. If you are looking to take your photo manipulation and 3D rendering skills to the next level then Log in or Join Now to get started!


About the Author

Author Mark Mayers is a talented designer and illustrator from the UK. He has worked as a designer and creative director for several design/advertising agencies and specializes in print, branding, packaging, and exhibition graphics. Mark began his career when the tools of the trade were markers, layout pads, and most importantly, the ability to draw, but he embraced the digital revolution in the early 90′s and swapped his drawing board for a Mac. Today, Mark freelances from his studio in Cornwall for such clients as American Express, BMW, Future Publishing, IDG Communications and Imagine Publishing.


Professional and Detailed Instructions Inside

Premium members can Log in and Download! Otherwise, Join Now! Below are some sample images from this tutorial.


Final Image


Get Instant Access to Tuts+ Premium

Joining Tuts+ Premium will get you instant access to this tutorial as well as all the premium content in our archives. In addition, you’ll have access to all the source files for all of our free and premium content. You will also have free access to the premium content of all the other sites in the Tuts+ Network. If you’re already a premium member, Log in and download the tutorial. Otherwise, you can Join Today!


What Is A QR Code And How Does It Work?

By now, you’re probably pretty familiar with QR codes (a.k.a. 2-D bar codes), whether or not you realize it. They’re the little square symbols that look like this:

                                                                  qr-code-01

The cool part is that anyone can make them. Yes, that includes you. Just Google “QR code generator” and you’ll have a plethora of websites that make it incredibly easy to make your own QR code. But that’s not even the best part. Once you have a QR code, you can mix things up, add color and graphics, and so much more. The key is to know how to keep your code scan-able.

Some people have already cracked this code, like Marc Jacobs. Others, like Yellow Pages, still have some homework to do. So how can you tell which edits will ruin your code and which ones will still allow it to be scanned? The question you should be asking is “what can’t I edit?”

 

The “No-Zones”

QR codes are made up of black squares and white squares. Each of these squares is called a module. In every QR code, there are certain modules that must not be covered or edited, else the code won’t scan. Here, they are all highlighted in different colors:

                                                 qr-code-02

  • The three large squares highlighted in red are the position markers. These tell the scanner where the edges of the code are.
  • The smaller red square is an alignment marker. This acts as a reference point for the scanner, making sure everything lines up properly. In bigger codes, there are several of these squares.
  • The red strips of alternating black and white modules are called timing patterns. They define the positioning of the rows and columns.
  • The green sections determine the format. This tells the scanner whether it’s a website, text message, Chinese symbols, numbers, or any combination of these.
  • The modules highlighted in blue represent the version number. Basically, the more modules in the code, the higher the version (up to v40, which is 177×177 modules). If the code is version 6 or smaller, the version does not need to be defined here because the scanner can literally count the modules and determine the version on its own.

 

Everything Else

So now that you know what you can’t edit, that means everything else is free game, right? Almost. All the remaining modules are grouped into sections of 8 modules. These groups (which I will call “bytes” from now on) fit together in the gray area like a jigsaw puzzle:

                                         qr-code-03

Now, when a smartphone or scanner reads a QR code, each byte is determined to be either completely readable or completely un-readable. That means that if you change one single module (e.g. turning a black square into a white square), the entire byte containing that module is rendered un-readable. At first, that sounds like a bad thing, but it actually makes things a lot easier. More on that in a second.

 

The Really Cool Part

In the Marc Jacobs code I linked to earlier, there was a sketch of a small girl covering part of the code. In spite of the fact that some of the code is covered up, it is still fully scan-able. This is because of the Reed Solomon error correction method. Basically, all QR codes are created with built-in error correction algorithms that allow them to be scanned even if a few bytes are missing/covered/replaced by a picture of your cat. The larger the version, the more bytes you can edit.

You can use the Version and Maximum Data Capacity Table on Denso-Wave’s website to determine exactly how many bytes you can turn into awesome graphic art. You need to know the version of your code (also found in the version table), and how many characters the message contains (i.e. if your code is built from the website “http://www.your-awesome-website.com”, that would be 35 characters).

The table will give you a letter that represents the level of error-correction contained in your code. Here’s what these letters mean:

  • Level L – You can alter up to 7% of the code without ruining its scan-ability. If your code has 154 bytes, you can edit 10 (maybe 11) bytes and it will still scan successfully.
  • Level M – You can alter up to 15% of the code.
  • Level Q – You can alter up to 25% of the code.
  • Level H – You can alter as much as 30% of your code.

So now you should be able to do the following:

-          Generate a QR code

-          Identify the No-Zones

-          Figure out the placement of the bytes

-          Figure out how many bytes you can edit

Now that you know just about everything involved in creating and understanding a QR code, let’s dive into how to turn it into a unique piece of graphic (or even hand-drawn) art.

 

Ready, Set…

At this point, it all comes down to asking yourself “what if,” and then finding the answer to that question. Look at your QR code, figure out which bytes you want to try to change, and then change them. Scan it to see if it still works. If it still works, make another change. If not, go back and figure out why. I’ll show you an example of what this process might look like.

I started out with a regular QR code, isolated which bytes I wanted to play around with, and outlined them in red (top left). First, I just scrambled all the modules within the red border (top right). It still scanned. Then, I took out all the modules completely (bottom left). It still scanned. Lastly, I filled the red border with a portrait of one of the most influential aliens from my childhood.

       qr-code-04

…Go!

It’s a matter of experimentation. Think of an idea, try it and scan it. Then work from there. Go online and look for other creative QR code graphic art, to see what boundaries other people are pushing. Pretty soon, you’ll end up doing something like this:

       qr-code-infographic

Resources:

http://www.systemid.com/qrcode/
http://www.denso-wave.com/qrcode/qrgene2-e.htmlhttp://raidenii.net/files/datasheets/misc/qr_code.pdf
http://www.itcsolutions.eu/2011/08/29/how-to-insert-a-logo-or-image-into-a-qr-code-using-photoshop/
http://hackaday.com/2011/08/11/how-to-put-your-logo-in-a-qr-code/

 

 

 

ryan-bayron

About the Author

Ryan Bayron is an SEO intern at online marketing agency WrightIMC. He has found his niche within the company as the resident graphic designer, primarily focused on infographics and PPC landing pages for clients. Currently pursuing a BFA at the University of Texas at Arlington, he is passionate about animation, and has experience producing both live action and animated short films. He also teaches private music lessons to support his wife, who is pursuing her career as a high school English teacher. Check his site here.

 

Delicious Jar and Bottle Labels to Spice Up Your Cupboard (and Your Imagination, too!)

The kitchen is probably the favorite place of many a mother because it is where good home cooked food is made. Imagine how much more fun the kitchen will be if you have wonderful bottles of condiments and colorful jars of marmalade in them. What a delight that will be!

If you’re designing such bottles (or in this case, labels), you should know that the products you’ll be promoting will go further than a store shelf. Hopefully, your customers will like the packaging enough to reuse them over and over. If they’re well designed as the 40 samples below, I’m pretty sure they’ll both be bought and kept in the cupboard for a long time. Enjoy feasting your eyes on these beautiful custom labels!

 

Fuego Hot Sauce

jar-label-design-ideas-01

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Texas-T

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Abella

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Love Saves the Day

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 Guerro’s Carrots

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Maison Orphée

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 The Bay Tree

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 Dirty Apron

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Blanc

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Peanut Butter and Jelly

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Marmite XO Special Edition

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Birano

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 Sir Kensington’s

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Mrs. Massey’s

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 Garant Sill

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Via Roma

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Adega Mayor

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The Bitter Chocolatier

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Includes a must-read back panel.
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Happy Eid ul-Fitr Cookies

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Fortnum and Mason

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Waitrose

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High Vale’s Core Preserves

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Assaf Dauber Honey

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The Good Stuff Salsas

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The Reel Catch

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Leisure

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Love Olive

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Shiela’s

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El Chuzo

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Kitchens of Africa

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Noble

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Ignite

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Salepi apo tin Poli

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BBQ Fight Club

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Pear Tree

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Mills and Co.

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Farina

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Equal Exchange

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Fredida’s Habanero Peppers

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Keys to Effective Web Design Proposals

Being able to draft an effective proposal is an essential part of staying busy and keeping money coming in as a freelance designer. In order to land client work you will need to be able to break down what you have to offer. Working on proposals is often an intimidating part of the process for new freelancers, so we’ll take a look at some things that you can do to improve the effectiveness of your own proposals for client projects.

Here are some keys to proposals that will help you to land the client’s business.

Meets the Needs and Wants of the Client

Before submitting a proposal to the client you should take the time to get to know their project and specifically what they want and need. A proposal that matches up with what the client wants will obviously be the most effective in terms of landing the business, but some designers tend to rush the initial stages of getting familiar with the client and project. This often leads to a proposal that doesn’t really fit with what the client wants, and it results in lost business and missed opportunities.

In addition to covering the things that the client wants, if you have identified some things that the client really needs you should include them in your proposal, and explain to the client why it is in their best interest. This will help the project to be more successful for the client, and if they choose not to follow your advice at least you have done your part by advising.

Specific Line Items

Clients often get overwhelmed when they see the total price of a project. Sometimes this is due to the price being higher than they expected, but most often it is because they don’t see everything that is involved in getting to the final product. Even if your proposed price is higher than the client is expecting (or hoping for) it’s still possible to land their business by justifying the cost. The best way to do this is to break the proposal down into line items. This way they can see the specific steps or parts of the project, and each one can have it’s own cost, which adds up to the total price.

As an example, rather than quoting a web design project by simply giving a total price, present line items for things like wireframing, design and layout, HTML/CSS coding, backend development, testing, etc. It’s helpful to also provide an estimate as to how many hours of work will be involved in each line item. When a client sees this it shows that you have given considerable thought to their project and it helps them to see how much is involved in the whole process. When it is broken down prices often look more reasonable and justified to clients, and less like you are just pulling a number out of the air.

Easy to Understand

The most effective proposals will be clear to the clients. If they can’t understand it they may feel uneasy about agreeing, or there could be conflicts later if they were under false impressions about the details of the project. Write proposals in language that is easy for anyone to understand and avoid industry jargon whenever possible. If you spent time getting to know the client and the project before preparing the proposal you probably have a good idea about the level of understanding, and you can draft the proposal accordingly.

Make sure that you take the time to ask the client if they have any questions about the proposal or if anything is unclear, and straighten out those issues before moving forward. If the client is able to feel comfortable with the proposal and with your willingness to be upfront and to take care of anything that is unclear, they will likely feel more comfortable about working with you and trusting you with their project. If the proposal is confusing to them and makes them feel like you’re trying to slip something past them, getting their business will be unlikely.

Limitations

One of the purposes of developing a proposal that is specific and detailed is to set the scope of the project, rather than leaving it open ended. You may also want to mention some specifics that are not included in the fee quoted in the proposal. Again, this helps to avoid unnecessary conflict later, and it helps to protect you from scope creep.

Consider Multiple Proposals

In some situations, certainly not all, you may want to consider giving the client an alternative option. An example of this would be if you’re working on a proposal for a client who has a budget that doesn’t match up to everything that they want to include in the project. If their budget is significantly lower than you can charge for everything that they want, you may consider developing two proposals: one that incorporates everything that they want and comes with a higher price tag, as well as an alternate proposal that matches their budget but doesn’t give them everything. This way you can give them an option in their price range and they can decide if they can live without certain parts of the project in order to stay on budget.

If your proposal is way over their intended budget it’s easy for them to walk away, but if you give them another option it shows that you’re attempting to work with them and they may decide that it includes everything they really need.

Accompanied by a Conversation

Ideally you will be able to have a conversation with the client to go over the proposal and explain anything that may surprise them. There may be times when a client has hesitations, but being able to talk through them can help to work out the differences. Also, a conversation may allow you to identify areas of concern for the client, and you may be able to make small adjustments to the proposal to address these issues. If you don’t discuss the proposal with the client it is much more difficult to identify the specific aspects of the proposal that concern the client.

Followed Up

Many clients will not make a decision right away. For this reason you’ll need to be pro-active and follow up with clients if you haven’t been able to secure the business. Just because you haven’t heard from them doesn’t mean that you have no chance to get their business. Many clients hesitate to move forward, so don’t just assume that they have hired someone else and they no longer have a need for your services.

All you need to do is send a simple email, or make a phone call, to ask if they have made a decision. Also, ask if they have any questions regarding the proposal. In order to encourage clients to move forward more quickly you may want to consider adding an expiration date to your proposals. For example, you could mention that your proposal is valid for 60 days and then after that time you would need to re-evaluate the project. Since your prices may increase in the future and since your availability may change it is perfectly reasonable to do this, and it can also encourage the client to make a decision and take action.

Create Your Own Proposals with the Freelance Starter Kit

At Vandelay Premier we offer a bundle of resources called the Freelance Starter Kit. The bundle includes things like contract templates, identity sets, interviews, e-books, and more. The identity sets include templates for proposals, so you can easily present an attractive and effective proposal to your clients. As of the time of this post being published, we are currently collaborating with MightyDeals to offer a $10 discount on the Freelance Starter Kit ($19 instead of $29). See the details of the deal.

 

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How to Make a Light Textured Web Design in Photoshop

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How to Make a Light Textured Web Design in Photoshop

This web page design tutorial on Design Instruct (our other website) will show you how to create a beautiful, modern and subtly textured web page layout in Photoshop.

Final Result

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Create a Light Textured Web Design in Photoshop - designinstruct.com

Create a Light Textured Web Design in Photoshop - designinstruct.com

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About the Author

Jacob Gube is the Founder and Chief Editor of Six Revisions. He’s also a web developer/designer who specializes in front-end development (JavaScript, HTML, CSS) and also a book author. If you’d like to connect with him, head on over to the contact page and follow him on Twitter: @sixrevisions.

Giveaway: 5 Brush Packs from VectorPack.net

Photoshop Star and VectorPack.net have partnered to give away 5 Brush Packs to 5 lucky winners.

Giveaway: 5 Brush Packs from VectorPack.net

About VectorPack.net

VectorPack.net is a site that provides high-quality stock vectors and other design elements for designers

VectorPack.net has more than 60 Vector Packs and more than 20 Photoshop Brush Packs available and they are adding more Packs to their collection.

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Each one of the five winners will receive five Brush Packs .

How to Win

You need to leave a comment on this post telling us the name of the 5 packs you would like to win. For that you need to go to this page and take a note about what Packs you would like to win. Don´t forget that we also need a valid email address so we can contact you in case you´ve won.

Giveaway details

This giveaway ends on Wednesday, October 5th 2011 after which the comments section on this post will be closed.
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