Details Make the Difference in Web Design

Details Make the Difference in Web Design

Details make a world of difference when distinguishing between ordinary and extraordinary.

A luxury car may have the same number of wheels, seats, windows and doors as a traditional vehicle, but what sets it apart from the competition is the time spent on the details. Heated leather seats, a push-to-start engine, keyless entry, automated parking and extensive digital consoles add value to an expensive, new car.

The same principle holds true in web design. Web designers who take the time to dive into the details that make a difference will reap the rewards of designs that hold more value.

The key word here is value.

There is no guarantee of a direct correlation between the time invested into creating a website and the value that the result has. Some details are more important than others, and it’s important to be able to determine which details make an impact.

Details That Add Value

The type of details we want to spend extra time on improves our work beyond the aesthetic levels.

We want to focus on visual tweaks that can change the user experience profoundly, such as in the way users perceive the site’s theme and message or how they navigate a site.

The average website visitor, one whose not experienced in creating websites, will not be able to point out the nuances that improve their experience, but if those details were removed, a noticeable difference in perception and usability will be revealed.

Those are the details we want to invest time in.

So how exactly does a design detail add value to a website?

The trick is in the user experience. Web designers should have an excellent understanding of how negative space, contrast, shape, color and all the different visual elements play a role in how people use and perceive a website design.

What can be surprising is just how few pixels a designer needs to manipulate before they start to make a difference that has a much larger impact.

What are some of these differences?

Looking Closer

I feel the most comfortable in Photoshop when I’m zoomed in to 500% or closer. It just feels like home. Let’s dig into some design work that does a good job of guiding our experience with subtle details.

I’ll use the Concentrate website as a working example; it seems like an appropriate place for us to devote our concentration on first.

Starting with a high-level view, we can see a creative visual wordplay that is being made on the Concentrate site.

Beyond the can of orange juice concentrate, we see an orange-themed color palette and a background that does a pretty good job of imitating the texture of an actual orange fruit.

Digging a little deeper, we see that CSS3 has been used to provide some shadowing for text to increase contrast against its background.

To truly appreciate the details, we need to dig a little deeper.

Pixel Perfection

True details are applied down in the pixel-level. We see this on the Concentrate site, around the call to action buttons near the top of the web page layout. First, the shadow behind the buttons lifts up this section of the page. The simple two single-pixel lines at the top and bottom of the area is a simple design trick that gives this area greater visual distinction amongst the other elements of the page.

One of the single-pixel lines is more noticeable because it’s bright orange. This provides contrast between both the drop shadow and the background, but what really helps is the second, darker orange line. These two single-pixel lines work together to cordon off this top section.

The Difference

The difference is best demonstrated when those lines are no longer a part of the web design. Below, I’ve removed those lines to show you how big a difference two pixels can make.

Subtle Shadows

Drop shadows are no stranger to web designs. Most websites utilize them early and often to simulate depth on a flat, 2-dimensional medium. Shadows and highlights can improve the way our site is experienced in delicate, but powerful, ways.

As we adopt CSS3 in our designs, it’s easy to get excited about all of the grandiose differences it can make.

To me, though, the truly exciting news is how much detail work can be translated from image editing software directly to the code of our websites.

Staying on the Concentrate site, we see an excellent example of how text shadows can be used in a subtle and effective way to make a site’s content easier to read.

The CSS3 text-shadow property is used in two ways here. First the red headlines have received a lighter shadow to give an embedded/inset look on a color choice that otherwise would not work nearly as well. The second shadow in play is behind the paragraph text, simply giving the white color a bit of a lift off the page.

The Difference

Compare the above screenshot with the same page rendered in Internet Explorer 8 (which doesn’t support the text-shadow property), and we see a site that is much harder to read.

It is worth pointing out that this site is selling Mac software, which naturally raises significantly less concern on what IE users are seeing.

Navigation Nuance

Apart from improving readability and emphasizing possible site actions, details go a long way in site navigation.

The most important part of any web page is the ability your user has to navigate to another page. After all, links are what make the web what it is in the first place, so why not spend a little extra time on navigability?

For this example, we shift our focus to the Lipperhey site.

Apart from a good color selection for the navigation active state, we see that this design adds some interesting details to its primary navigation bar.

The Home button stands out for a few reasons beyond the color change. First, we can see that it drops down just a few pixels from the navigation bar. In addition, a shadow has been added behind the button and is given a slight adjustment in perspective. These two details together give the perception of added dimension to this link, indicating its importance and active state.

The Difference

Reviewing the same navigation without the mentioned details, we find that a lot of the excitement is gone and our active link has an entirely different look-and-feel to it.

Moving Forward with the Details

We explored one of the ways that some of our new abilities in CSS3 can help add value to our designs (text-shadow).

But the power of CSS3 doesn’t end with shadows. CSS3 animation, in the form of things such as the transform and transition properties, can give us an additional tool for detailing work.

When used correctly, CSS3 animations harness a huge ability to efficiently add motion to our site elements without needing the assistance of Flash or JavaScript. In terms of details, animations allow us to provide users with fluid feedback on all kinds of input. Adding a transition animation to link hover states or button clicks, for example, can tell the user that they are hovering on (or touching, in the case of touchscreen mobile devices) an active element.

The beauty of working with site details is that, through progressive enhancement, we can still provide value to a segment of our audience without alienating those who choose to use outdated browsers.

The key here is that we use all of these techniques to add value to an already solid web design. Leaning on any of these techniques without a fundamentally solid design is most certainly placing your cart before the horse.

Where else can detail be added to a site to increase its value? What types of detail techniques have you had success with in your past projects?

Related Content

About the Author

Jason Gross is a freelance web designer focused on creating clean and user friendly websites. Jason currently lives in Indiana and can be found on Twitter as @JasonAGross or on the web at his personal blog and portfolio.

How to Create Typography Poster “Enigma“ Using Photoshop

In this tutorial we will go through the process of making this typography poster called "Enigma" only using Adobe Photoshop. You will have a basic look into the 3D-Tool of Photoshop, how to texture and stylize your 3D Typography and how to make a shiny space background to create your own space-inspired text. This is my frist tutorial and I hope you guys will enjoy it!

Note: This Tutorial is more for the advanced Artists, so if you are a beginner you should practice until you feel comfortable with photoshop and its tools.
Note 2: Of course you can do this tutorial with other Photoshop Versions, but for this one CS5 is very recommended, because it has got functions which are not in other versions.

Final Image Preview

enigma How to Create Typography Poster “Enigma“ Using Photoshop

Stocks Used:

Step 1 - Starting

Creat a new document in Photoshop: 1680 pixels width and 1050 pixels high at 72 dpi, but If you would like to print out your works you should use 300 dpi.

1 How to Create Typography Poster “Enigma“ Using Photoshop

Now grab your Paint Bucket Tool (G) and fill your Background with black.

Step 2 - The Logo

Now it's time to get creative. Get out a paper and draw yourself a cool logo. I decided to create my logo futuristically. This step will probably cost you the most time, because you have to get some ideas for your typography first. Just try out different styles and see which one is the coolest or which you like the most. And if you need some help just search for some sites like Creattica or Behance there you will find awesome logo designs which can inspire you. After you finished your sketch, scan it and open it in photoshop.

Here is an image of my sketch.

2 How to Create Typography Poster “Enigma“ Using Photoshop

Most artists would probably open Illustrator now and start to recreate their Logo. But my problem was that I haven't had Illustrator on this Computer, so I decided to do it on Photoshop. So first of all create a new folder called "Logo Shapes" and grab the Pen Tool (P). Now start to draw a path around your first letter and close the path, now right click and press "create vector mask", fill the shape with white.

2a How to Create Typography Poster “Enigma“ Using Photoshop

Do the same for the other letters until you have all shapes for your Logo.

2b How to Create Typography Poster “Enigma“ Using Photoshop

2c How to Create Typography Poster “Enigma“ Using Photoshop

2d How to Create Typography Poster “Enigma“ Using Photoshop

2e How to Create Typography Poster “Enigma“ Using Photoshop

2f How to Create Typography Poster “Enigma“ Using Photoshop

2g How to Create Typography Poster “Enigma“ Using Photoshop

Step 3 - Using the 3D Tool

Okay, now that you've got your Logo, duplicate the folder "Logo Shapes" with all Layers and Rename the new folder into "Logo 3D". Make your folder "Logo Shapes" invisible by clicking on the little eye, next to the folder's layer. Go to the "Logo 3D" folder and pick your first letter (for me it is E), then go to "3D" -> "Repoussй" -> "Layer Mask" (for some it could also be "Selected Path"). Pick the first "Repoussй Shape Presets" (of course you can try other shapes, but this was the one I picked). Use the following settings:

3 How to Create Typography Poster “Enigma“ Using Photoshop

Materials aren't very important for this tutorial. Just let the "All" Material as it is. The "Front" Material should be the color of your shape, which is white in this case. Bevel1/2 and Back aren't important because you don't see the sides anyway. The only important thing here is the "Sides" Material which should be a dark color, just pick the one I did.

3a How to Create Typography Poster “Enigma“ Using Photoshop

Your letter should now look like mine (below this text), don't wonder why my letter is teal I just colored the shapes and it'll get white anyway when we have finished to transform our letters into 3D. Now that you have your first 3D Shape do the same with the others. Note: If you have problems with the quality just click on the layer with the 3D and go to "Window" -> "3D". Now choose "3D {SCENE} and change the "Quality" to "Ray Traced Final".

3b How to Create Typography Poster “Enigma“ Using Photoshop

3c How to Create Typography Poster “Enigma“ Using Photoshop

Step 4 - Style your Logo

Okay, now we'll start to style our logo. Make the "Logo Shapes" folder visible again and put it above the Logo 3D folder. Duplicate the "Logo Shapes" folder again, so that you've got now 3 folders. Name the new folder "Inner Styling", this folder should be above the others. Now open the folder and hold down the CTRL button, click on all the layers only in this folder and press your right mouse button, then choose "Merge Layers". You've got now a single layer with your logo. Rename this layer to "Inner Styling 1" and duplicate it again. Rename the new layer to "Inner Styling 2", put it over the first Inner styling layer and make it invisible. Right click on the "Inner Styling 1" layer and choose "Blending Options". Use the following settings:

4 How to Create Typography Poster “Enigma“ Using Photoshop

4a How to Create Typography Poster “Enigma“ Using Photoshop

4b How to Create Typography Poster “Enigma“ Using Photoshop

4c How to Create Typography Poster “Enigma“ Using Photoshop

Your final Logo should look like this:

4d How to Create Typography Poster “Enigma“ Using Photoshop

Make the "Inner Styling 2" layer visible again. Right click on the little image of the layer and press "Select Pixels". Now go to "Select" -> "Modify" -> "Contract", use 6 pixels, then go again to "Select" -> "Inverse" then press the "Del-Button" on your keyboard. Select the pixels of the layer again but now grab your Paint Bucket Tool (G) and fill the layer with the color #6f6675.

4e How to Create Typography Poster “Enigma“ Using Photoshop

Right click on the "Inner Styling 2" layer and choose "Blending Options". Use the following settings:

4 7 How to Create Typography Poster “Enigma“ Using Photoshop

4 8 How to Create Typography Poster “Enigma“ Using Photoshop

4 9 How to Create Typography Poster “Enigma“ Using Photoshop

4 10 How to Create Typography Poster “Enigma“ Using Photoshop

4 11 How to Create Typography Poster “Enigma“ Using Photoshop

Your piece should look like this:

4 12 How to Create Typography Poster “Enigma“ Using Photoshop

Now get out your Gradient Tool (G), just right click on the "Bucket" Icon. Then pick the colors #34b5cf (as Foreground Color) and #574841 (as Background Color), create a new Layer and name it "Gradient", on which you've to use the Gradient Tool, then right click on it and choose "Create Clipping Mask". Now create another layer and name it "Lightning", again right click and "Create Clipping Mask". Press (B) to get out your Brush Tool and pick a 100px sized soft brush with 0% hardness. Now brush on the lower edges of your logo and set the Opacity of the layer to 50%.

4 13 How to Create Typography Poster “Enigma“ Using Photoshop

Create a new layer and name it "Coloring", now pick again your brush tool (B) but this time use a 80 px sized, round, hard brush with 100% hardness. Start coloring over your logo like I did. Then get your Gradient tool, create a new layer above the "Coloring" layer and fill it with the same colors as the "Gradient" layer after that just merge the layerst into one. Now create a clipping mask with the "Coloring" layer, so that your "Inner Styling 2" has got now a total of 3 clipping masks. You will probably notice that the colors now doesn't look very continuous, to avoid that just use the Smudge Tool and smudge your layer as long as it looks good (also use the eraser with the strength of 20% to erase some parts of the color).

4 14 How to Create Typography Poster “Enigma“ Using Photoshop

4 15 How to Create Typography Poster “Enigma“ Using Photoshop

After that right click on the "Coloring" layer and pick "Blending Options". Use the following Options:

4 16 How to Create Typography Poster “Enigma“ Using Photoshop

4 17 How to Create Typography Poster “Enigma“ Using Photoshop

4 18 How to Create Typography Poster “Enigma“ Using Photoshop

4 19 How to Create Typography Poster “Enigma“ Using Photoshop

4 20 How to Create Typography Poster “Enigma“ Using Photoshop

Go back to your "Logo 3D" folder and duplicate it, put the folder under the "Inner Styling" folder and name it "Other Styling". Hold down CTRL and pick all layers in that folder, now right click on any of the layers and choose "Convert to Smart Object". Now you should have got one layer with the logo, name that layer "Styling 1". Create another one and name it "Styling 2" create a clipping mask with it. Get out the Gradient Tool and fill the layer with these Gradient Options:

4 21 How to Create Typography Poster “Enigma“ Using Photoshop

It's time to create the Shadows. Zoom into your Picture (about 300%) and get out the Pen Tool (P), then draw a path around the area of the "styling 2" layer as I did to add some shadows with the Burn tool (O) (be sure to darken the area with the edge a little stronger). Set the "Range" (in the upper bar of Photoshop) to Midtones and the Exposure to 50%.

4 22 How to Create Typography Poster “Enigma“ Using Photoshop

4 23 How to Create Typography Poster “Enigma“ Using Photoshop

4 24 How to Create Typography Poster “Enigma“ Using Photoshop

Now repeate that Step until you have darken all the areas.

4 25 How to Create Typography Poster “Enigma“ Using Photoshop

When you're done make the folders "Logo 3D", "Logo Shapes" and the background invisible. Create a new layer above all folders, name it "Final Logo" and press CTRL + ALT + ShIFT + E. Make the Background visible again and the "Inner Styling" + "Other Styling" invisible. Now right click on the "Final Logo" then "Blending Options". Use the following settings:

4 26 How to Create Typography Poster “Enigma“ Using Photoshop

4 27 How to Create Typography Poster “Enigma“ Using Photoshop

Create a clipping mask above the "Final Logo" layer, then take out the "Elliptical Marquee Tool" (M) and create a circle on the upper part of the logo then fill it with white and set the Opacity to 5%, erase parts which don't look good.

4 28 How to Create Typography Poster “Enigma“ Using Photoshop

4 29 How to Create Typography Poster “Enigma“ Using Photoshop

4 30 How to Create Typography Poster “Enigma“ Using Photoshop

Step 5 - Using textures

Create a new folder and name it "Effects and others" then put the "Final Logo" layer in it. Now open the metal texture, put it over the Final Logo layer and create a clipping mask (if the image is to small just duplicate it several times), set it on soft light, 50% opacity and erase any parts you don't like.

5 How to Create Typography Poster “Enigma“ Using Photoshop

Create again a new folder and name it "Adjustments".

-Curves:

5 1 How to Create Typography Poster “Enigma“ Using Photoshop

5 2 How to Create Typography Poster “Enigma“ Using Photoshop

5 3 How to Create Typography Poster “Enigma“ Using Photoshop

5 4 How to Create Typography Poster “Enigma“ Using Photoshop

-Channel Mixer:

5 6 How to Create Typography Poster “Enigma“ Using Photoshop

-Channel Mixer 2:

5 7 How to Create Typography Poster “Enigma“ Using Photoshop

5 8 How to Create Typography Poster “Enigma“ Using Photoshop

5 9 How to Create Typography Poster “Enigma“ Using Photoshop

-Curves 2:

5 10 How to Create Typography Poster “Enigma“ Using Photoshop

-Levels:

5 11 How to Create Typography Poster “Enigma“ Using Photoshop

5 12 How to Create Typography Poster “Enigma“ Using Photoshop

5 13 How to Create Typography Poster “Enigma“ Using Photoshop

5 14 How to Create Typography Poster “Enigma“ Using Photoshop

-Color Balance:

5 15 How to Create Typography Poster “Enigma“ Using Photoshop

5 16 How to Create Typography Poster “Enigma“ Using Photoshop

5 17 How to Create Typography Poster “Enigma“ Using Photoshop

-Gradient Map:

5 18 How to Create Typography Poster “Enigma“ Using Photoshop

-Curves 3:

5 19 How to Create Typography Poster “Enigma“ Using Photoshop

5 20 How to Create Typography Poster “Enigma“ Using Photoshop

5 21 How to Create Typography Poster “Enigma“ Using Photoshop

5 22 How to Create Typography Poster “Enigma“ Using Photoshop

5 23 How to Create Typography Poster “Enigma“ Using Photoshop

Go back to the "Effects and others" folder, then open the cracked earth texture and paste it above the metal texture. Press (V) to take out the Move Tool, be sure that "Show Transform Controls" is activated in the upper bar, then press ALT + SHIFT to make the texture smaller. Now copy the texture 2 or 3 times and move it over the logo then pick all the layers with the texture and merge them to one, then add a Hue/Saturation (as a clipping mask) to the texture with the following settings:

5 24 How to Create Typography Poster “Enigma“ Using Photoshop

5 25 How to Create Typography Poster “Enigma“ Using Photoshop

Now merge the Hue/Saturation layer with the texture layer and then create a clipping mask onto the "Final Logo" layer, set it on Vivid Light 80%. Take your Eraser Tool (E) and erase parts which don't look good, try to play with the Opacity of the Eraser and also zoom into the picture to have a better look into small areas.

5 26 How to Create Typography Poster “Enigma“ Using Photoshop

Create a new folder under the "Effect and others" folder and name it "Background Styling". Create a new layer and take out your Brush tool. Now brush with a hard, 950px sized brush a black circle behind the logo, then right click and choose blending options. Use the following settings:

6 How to Create Typography Poster “Enigma“ Using Photoshop

6 2 How to Create Typography Poster “Enigma“ Using Photoshop

On a new layer you brush now with a 900 px sized, soft brush in the middle of the black circle, with a color that fits well to your picture. I used #00d4b9. Now set the Opacity to 50%.

6 3 How to Create Typography Poster “Enigma“ Using Photoshop

Get out the smoke brushes and brush them behind the black circle.

6 4 How to Create Typography Poster “Enigma“ Using Photoshop

Brush with a round, hard, 500 px sized brush two circles behind the black one, then use a round, soft, 500px sized brush with the eraser tool and erase the middle of the circles until they get nearly invisible.

6 5 How to Create Typography Poster “Enigma“ Using Photoshop

Create a new folder under the "Circles" layer and name it "Space". Open the nebula stock (which you can see below) and paste it in your picture. Make it smaller, set it on "Lighten" and move it around until you think it looks nice, then duplicate it, rotate it and place it again somewhere where it looks nice. Erase parts which you don't like.

6 6 How to Create Typography Poster “Enigma“ Using Photoshop

6 7 How to Create Typography Poster “Enigma“ Using Photoshop

Open the other Nebula Stock and do the same as before, but this time set the opacity on 50%. Note: Before you paste the Nebula Stock into your image use Hue/Saturation to color it blue. You don't have to do that, but I did it because it looked way better then the original color.

6 8 How to Create Typography Poster “Enigma“ Using Photoshop

6 9 How to Create Typography Poster “Enigma“ Using Photoshop

6 10 How to Create Typography Poster “Enigma“ Using Photoshop

6 11 How to Create Typography Poster “Enigma“ Using Photoshop

Now open the last Nebula Stock and repeat the steps. Set this one on Lighten 100%.

6 12 How to Create Typography Poster “Enigma“ Using Photoshop

6 13 How to Create Typography Poster “Enigma“ Using Photoshop

6 14 How to Create Typography Poster “Enigma“ Using Photoshop

6 15 How to Create Typography Poster “Enigma“ Using Photoshop

Go back to the "Background Styling" folder and create a new layer above the others. Now brush with the star brushes some details into the background. Note: The "Lightdots" which you see in the preview are in the star brushes pack which you can download from the link in the beginning of the tutorial.

6 16 How to Create Typography Poster “Enigma“ Using Photoshop

Go back to the "Effects and others" folder. Now create a rectangle on a new layer with the Rectangular Marquee Tool (M). Pick white as your foreground color, then pick the Gradient Tool (G) and make sure that in the upper bar, the gradient goes from white to trasnparent. Fill the rectangle with some white, but not too much.

6 17 How to Create Typography Poster “Enigma“ Using Photoshop

Now duplicate the layer and place it on the edge of your first and last letter, rotate it if necessary. Then erase some parts of the layers so that you don't have the 90 degree angle anymore.

6 18 How to Create Typography Poster “Enigma“ Using Photoshop

Set white as your foreground color and start to brush with the Cloud brushes infront of the logo. Be sure to use more then one layer, so that you can move every cloud to the perfect position. Now just merge the layers into one and name it Clouds. I did it that way: I just brushed infront of the half logo then I duplicated the final clouds layer, flipped it horizontally and moved it a little so that it looked nice.

Note: As you will maybe notice the brushes aren't that strong, so be sure to brush a cloud more then one time at the same position.

6 19 How to Create Typography Poster “Enigma“ Using Photoshop

6 20 How to Create Typography Poster “Enigma“ Using Photoshop

6 21 How to Create Typography Poster “Enigma“ Using Photoshop

Duplicate the "Clouds" layer, move the duplicated layer under it and name it "Cloud Shadows". Now right click, blending options then go to "Color Overlay" and pick black, Normal on 100% Opacity. Now go to Filter -> Blur -> Gaussian Blur. Set the Radius to 5,0 pixels. Then lower the opacity to 50%.

6 22 How to Create Typography Poster “Enigma“ Using Photoshop

6 23 How to Create Typography Poster “Enigma“ Using Photoshop

Duplicate the "Clouds" layer again, but this time move it under the "Final Logo" layer. Move it a little bit up, then get out your Eraser and erase parts which don't look good.

6 24 How to Create Typography Poster “Enigma“ Using Photoshop

Now it's time to add a little waterfall into the "A" letter. Open the waterfall stock, press  to get out the Lasso Tool (L) and then draw a selection around the waterfall.

6 25 How to Create Typography Poster “Enigma“ Using Photoshop

Now go to Select -> Modify -> Feather and set the Radius to 50 pixels then right click on the image -> Layer via cut. Copy the waterfall layer and paste it above the final logo layer. Make the waterfall layer smaller, so that it fits well with the "A" and move it into the "hole" of the "A". Now set the layer on Lighten and erase parts which don't look good.

6 26 How to Create Typography Poster “Enigma“ Using Photoshop

Step 7 - Final Step

Merge all layers to one by pressing CTRL + ALT + SHIFT + E, then copy the layer and set it on screen 30%.

7 How to Create Typography Poster “Enigma“ Using Photoshop

Now use the following Adjustments:

-Selective Color:

7 2 How to Create Typography Poster “Enigma“ Using Photoshop

7 3 How to Create Typography Poster “Enigma“ Using Photoshop

7 4 How to Create Typography Poster “Enigma“ Using Photoshop

7 5 How to Create Typography Poster “Enigma“ Using Photoshop

-Levels:

7 6 How to Create Typography Poster “Enigma“ Using Photoshop

7 7 How to Create Typography Poster “Enigma“ Using Photoshop

7 8 How to Create Typography Poster “Enigma“ Using Photoshop

7 9 How to Create Typography Poster “Enigma“ Using Photoshop

-Color Balance:

7 10 How to Create Typography Poster “Enigma“ Using Photoshop

Create a new Layer and fill it with this color: #fbfcae . Set the layer on soft light 22%.

Create another layer but this time use the color: #d41a9d . Set the layer on lighten 19%.

-Channel Mixer:

Just go to Output Channel, pick green then blue and set everything on 0%. Then go to Red in the Output Channel and set red on 100% everything else on 0%.

7 11 How to Create Typography Poster “Enigma“ Using Photoshop

CTRL + ALT + SHIFT + E, then go to Filter -> Sharpen -> Sharpen. Erase parts which don't look good. Now again CTRL + ALT + SHIFT + E and go to Filter -> Other -> High Pass, Radius 10 pixels. Set the layer on Darker Color 20% and you're done! I hope you liked the tutorial and learned some new techniques. Don't forget that you don't have to follow the tutorial 1:1, try experiment in the Steps with things that are not in the tutorial and maybe your final result will look then even much better!

Final Result: Enigma Poster

enigma How to Create Typography Poster “Enigma“ Using Photoshop

Download Psd file

Design and Print a 70s Style T-Shirt – Psd Premium Tutorial


Authentic, retro looking T-shirt designs are all the rage these days. In this Psd Premium tutorial, author Mark Mayers will take a heavy dose of inspiration from the 70s and create a cool, surf-style graphic with tons of retro appeal. This tutorial will also demonstrate how to incorporate an aged and distressed look to replicate washing machine wear and tear. In the final part of this tutorial you’ll see how easy it is to print your designs onto special iron-on transfer paper and apply it to a T-shirt, which is an ideal solution if you just need a handful for your local club or friends. This tutorial is available exclusively to Premium Members. If you are looking to take your t-shirt design skills to the next level then Log in or Join Now to get started!


About the Author

Author Mark Mayers is a talented designer and illustrator from the UK. He has worked as a designer and creative director for several design/advertising agencies and specializes in print, branding, packaging, and exhibition graphics. Mark began his career when the tools of the trade were markers, layout pads, and most importantly, the ability to draw, but he embraced the digital revolution in the early 90′s and swapped his drawing board for a Mac. Today, Mark freelances from his studio in Cornwall for such clients as American Express, BMW, Future Publishing, IDG Communications and Imagine Publishing.


Professional and Detailed Instructions Inside

Premium members can Log in and Download! Otherwise, Join Now! Below are some sample images from this tutorial.


Psd Premium Membership

As you know, we run a premium membership system here that costs $9 a month (or $22 for 3 months!) which gives members access to the Source files for tutorials as well as periodic extra tutorials, like this one! You’ll also get access to Net Premium and Vector Premium, too. If you’re a Premium member, you can Log in and Download the Tutorial. If you’re not a member, you can of course Join Today!

Anatomy of an Effective Product Page Design

Anatomy of an Effective Product Page Design

The goal of any new e-commerce website appears to be to challenge (and be better than) Amazon.com. The well informed among us would say this is an impossible task and anyone suggesting different is overly ambitious or crazy. Yet with all this ambition, the websites of many online businesses simply don’t make the effort to create a site that could even challenge the Internet behemoth that is Amazon — let alone topple it.

So What’s the Problem?

The main problem lies in the product page of many e-commerce websites. Product pages are inherently complex and can contain so many different elements that such a page can easily become a juggling act to design.

Although other pages in an e-commerce site can affect conversion rates, the product page is the strong link in any conversion. It is this page that must convince a person to buy a particular product.

Yet many websites show only the most basic amount of information required to get a sale, and they think this is good enough. It isn’t.

In a world where your nearest competitor is only a click away, you need to make sure you convince your customers that buying from you is the right choice.

In this guide, we’ll discuss some of the elements you would expect to see in a product page, what the best practices and common design patterns are, and present some examples of e-commerce websites that get it right.

Required Elements of a Product Page

In order to sell any product online, there are some things that simply cannot be omitted when designing your e-store’s product page. The lack of any of these three elements would most certainly mean no sales, and if you do happen to get a sale without one of these, consider yourself lucky.

These are all commonsense things to include, but the trick is not to simply have them present in your product pages, but also to present them well.

Product Name

Quite obviously, the user must know what they’re looking at. Ensuring your product names are descriptive, short and optimized for search engines and your users, is important.

So for example, the product name "Gold Ring" would be more suitable as "18ct Gold Wedding Ring". The latter product name is more descriptive but still concise.

The ideal situation is for each product name to be unique so that when a customer is looking through a list of products, they can clearly identify the differences between each product.

Price

PriceIkea

Unless you happen to be a billionaire, you’re unlikely to ever purchase a product without some clear indication of its price. Sure, a page could be full of information that lead you to believe the product should only cost $1, but without any definitive confirmation, you can never be too sure you won’t be charged $1 million.

So the price has to be in the product page, and it should prominent, but also, the price should be located near the Buy button so that when the user views the page initially, their eye gaze flows naturally through the product name, towards the price, and then Buy button.

Buy Button

CDNow

You’ve got the product name and its price, but how will the e-shopper buy it?

The decision-making in regards to the Buy button rests largely in size, color and text. These will change depending on the individual site, and sometimes geographic location too, as certain colors and elements mean different things in various cultures.

For example, in the UK, having an Add to Basket button would be more appropriate to the American version of Add to Cart. See the difference in wording between Amazon.co.uk and Amazon.com:

Amazon.com versus Amazon.co.uk Buy buttons.

Ideally, once these decisions are made, your Buy button should be placed high on the page, preferably above the fold. Sure, the fold doesn’t exist on websites, but there’s no point making your customers work hard to buy your products by hiding this down the page.

There’s an exception to having the Buy button on product pages, and that is when a product is out of stock. In these cases, it’s always more user-friendly to display an out of stock message on the page, and to hide or disable the Buy button to reduce confusion and annoyance.

For design inspiration, check out these examples of Add to Cart buttons.

Important Elements of a Product Page

Unlike the required elements above, a person can still easily purchase a product when the following are absent, yet this does not necessarily mean they will.

For the great majority of customers, these elements are expected to be present as they are important to helping them decide whether the product is what they want to purchase.

Images

Burton

When viewing a product page, a customer will first want to verify that the product on the page is what they are looking for. No matter how descriptive the product name is, most customers will use product images to verify that the product is what they’re actually wanting to purchase.

Here are some tips for displaying product images.

Images should be properly sized. Providing an image that is a suitable size is pretty basic stuff; if a customer cannot clearly identify what the product is, then there is no reason in showing the image.

However, there’s only so much space available in the average monitor, so at times, it’s helpful to use something extra to give a customer an even closer look. Use modal windows (frequently referred to as lightboxes) to enlarge thumbnails, zoom features. Check out this list of jQuery plugins for working with images.

Newegg displays properly sized images.

Provide multiple images. Consider displaying a gallery of images instead of relying on one image to make a sale. With a gallery, you can show a number of images of the product from various angles as well as the possibility to show the product in use. Some products are so intricate that a user may be looking for the smallest detail on a product (for example, in consumer electronics, where and what the device controls are); you want to make sure these are available for viewing.

Some websites have gone a step further: they allow previous customers to upload photos they have taken of the product. This can save you time and money, but also customers are likely to fill in important gaps that you have yet to identify. It’s also social proof; that is, users are more prone to trusting their neutral peers.

A user-submitted photo of an Amazon.com product.

Show photos of the actual product. I’ve come across this a few times, and I’m sure you have too; you land on a product page and the image doesn’t show the product that the name and description describe. Either the image shows multiple products or is incomplete and doesn’t show everything in a collection of products. This could be in the instance where the product is in various models (such as shoes that come in multiple colors). Making sure the image reflects the product you’ll be shipping to the buyer is a good practice.

Product Description

Amazon.co.uk

In most cases, the product description is important. It provides a short, succinct description of what the product is, can be written well to persuade the customer into buying the product, and can enhance the SEO of the product page.

Many e-commerce sites fail in creating their own content for each product on their website as it is such a big task to undertake. Many sites will simply copy content from the manufacturer, which, though not perfect, is better than nothing. However, investing time and resources in writing your own product descriptions gives your site a leg up from the vast sea of online stores.

Quantity Option

Designing Obama

If the customer wants to order 10 items of the same product without the ability to select a quantity then they must click the Buy button 9 times. The frustration of doing this would be even greater if, after each click, the customer is navigated away from the product page to their basket. Always give the ability to modify the quantity.

To omit something that takes such a small amount of screen real estate and that can lead to a bigger purchase is a great addition to the product page. A common design pattern is to place the quantity box near the Buy button as a text input or select box.

Another design pattern is to place a quantity box at the checkout summary page that lists the buyer’s items contained in their shopping basket. However, it seems like the latter option is similar to modifying the amount of canned soup you want to purchase when you’re already in the checkout line in the grocery store. Whereas having the quantity box in the product page ensures you let the buyer set the quantity they want while they’re still in the store shelf where the canned soups are.

Useful Elements of a Product Page

Once you’ve run through the required and important elements of your product page, you come to those that are just useful to have. The existence of these may not apply to all products, but in many cases these might just be the most important pieces of information that will help you make a sale.

Manufacturer Name

Zappos

Apple makes the best MP3 players, and Canon the best Digital SLR Cameras — or at least that’s what I believe.

A lot of customers have similar thoughts about the products they buy. Having become more brand-conscious and brand-loyal, many will look first to the brand they know for a particular product.

So with the manufacturer or make of a product so heavily on a customer’s mind, a product page should provide visual clues to confirm the product they are looking at is manufactured by a particular company.

The two most popular methods to provide these visual clues are through the existence of the manufacturer logo or by including the manufacturer name within the product name (as shown in the Zappos photo above).

Product Options

DesignByHumans

In some cases, the specification of a product can differ enough to warrant providing options/variations of a product. For example, things like t-shirts or shoes, which may come in various colors, styles and sizes, can benefit from having the ability to modify their options and attributes.

With multiple options of products available, you have to then decide how best to integrate them into the design. Depending on what the option is, you could be using a select menu or radio inputs.

Multiple options can lead to complications when some options are mutually exclusive, but it’s a necessary challenge to overcome.

The primary benefit of showing products in such a way is to reduce the number of overall product pages in your website, thus making searching through long lists of products much simpler. For example, if you were selling a model of shoes with 20 different colors, then instead of 20 product pages, you can cut it down to just one.

Having options also reduces the frustration felt by a customer when clicking through to products that happen to be the same, but a different size or color that they want, for example.

Sizes and Dimensions

hmv.com

As mentioned above, some useful things are dependent on the type of product. Though dimensions may not be very relevant to things like food (coffee beans, for example), dimensions are important — if not required — for things such as furniture or paintings.

Dimensions aren’t just physical. Consider the running time of a movie or the track listing of a CD too; these are "dimensions" in a sense. This information gives an indication of size to a customer by which they can determine value for money. Imagine buying a CD album at the normal price, but later find it has only a single track; most customer’s would be disappointed to discover this after the sale.

Available Stock

Winestore

Displaying the amount you have left of a product is all about creating a sense of urgency, which can play on a buyer’s impulse. However, a customer may also be thankful for being able to make a decision knowing the possibility of a product going out of stock later on (and then unable to make the purchase).

In terms of design, it only really becomes important to communicate the urgency of low stock. If the stock levels are high, this information is less of a concern to the customer. With only a couple of products left, or when a product is out of stock, this information becomes much more relevant to the customer and needs to be designed and positioned so that the customer can easily see the notice.

Optional/Extra Elements of a Product Page

The below elements are increasingly being found in a greater number of product pages in order to increase conversion rates or the spend per order. They give additional information about a specific product, and in some cases, their inclusion can very well be the catalyst for high growth in a website’s profits.

Customer Reviews

Sony Style USA

Customer reviews give other customers a less bias take of a product by giving previous buyers the ability to provide a testimonial of a product they purchased.

The problem, however, is this section is left to stagnate in many smaller websites with very few customers bothering to add reviews. The ideal situation is to follow the eBay model of buyer/seller feedback. When you receive an email asking for feedback, many see it as a required process of the purchasing process. Simply emailing a reminder asking a customer to provide their thoughts about their recent purchase can be all that is needed to fill out your review section.

But what information should you ask for? Ideally, you ask for the least amount of information possible to respect the reviewer’s time. I’d recommend asking for simply a name, a short review, their rating and a title of their review.

The review title can be left out, but many bigger sites require this so that readers can more easily find the customer review they want to read.

One last feature to add when displaying a review is to ask if the review was helpful; it may seem like a small addition, but when using this to sort your reviews, you ensure only the most helpful rise to the top, and those that aren’t drop to the bottom.

Add to Wish List

Blik Wall Decals

Some customers are decisive, while others will take their time thinking about buying something, possibly over many hours or days. In this time, they can simply forget the product they were looking at or eventually go elsewhere to purchase it. But including the ability for them to add a product to a wish list, we provide the best way of increasing the chances that they will return and buy.

By having an area that they can later return to, they can easily buy the products they saved.

A link or button positioned somewhere near the top of the page can be placed in the product page. It’s the second most important actionable element for a buyer, so it should be visible but never should it be designed in such a way that it distracts the customer from the primary actionable element, which is the Buy button.

Cost Savings

ties.com

Like the high street, many e-commerce websites will hold sales periodically throughout the year, or instead, might offer products at a reduced rate all year round. Some sites keep things simple by showing just a price, whilst others also include a recommended retail price juxtaposed against actual price.

Somewhere on your product pages, you should include the saving the customer will be making, both as a monetary value and as a percentage. If the saving a customer is making is worth shouting about, then shout about it you must.

The reason why we add a percentage as well as a monetary value is that many people simply respond more favorably to a percentage saving. Have you or a friend ever returned from a sale having paid more than normal for an item, yet bought it simply because it said 75% off? Rather than looking at what you are paying, you might focus more on the saving you have made. Showing this difference in price as a percentage is the most effective way to communicate this.

Delivery Details

Godiva

For many websites, this is the hidden cost of buying online. So many e-commerce websites will only tell you what you will be charged for delivery upon checkout, with the exception of when a site proudly announces it has Free Delivery. Now those in the know are acutely aware that Free Delivery usually means "we’ve hidden it in the cost of the product," but what this does is that it removes that element of the unknown.

So what can be done? Displaying the delivery cost in the product page is the first thing. If you have a flat delivery fee (no matter the cost or destination) then display that; if it’s per product, then show that instead.

If things get a little complicated with maximum and minimum prices and locations, then why not show the average delivery cost and link off to a page with a better description of the charges. Essentially, you need to give people as much information about the expected cost of delivery before they click to buy.

Delivery time is also important to many people. Is next day delivery possible on your website? If you sell products with a longer delivery time, what might that be? One of the unfortunate things about some e-commerce websites is that you can buy a product with no information of delivery time and, as much as you’re prepared to wait, you still sit eagerly waiting for it to arrive, everyday, until it finally does.

If a customer needs something in a rush, they will want to know they can get it in time. If your website cannot do this, then they will go elsewhere — losing a customer by being upfront and honest with your capabilities can be better than getting a disappointed or angry customer.

Other Products

nectar

At face value, it seems odd to place other products on the same page as the product you wish to sell. Surely, it will distract the customer from buying the product that they want, right? But this doesn’t have to be the case.

Instead, consider this the "Do you want fries with that?" element of an e-commerce website. Rather than actually dissuade a customer from purchasing a product, you have them buying more that they originally intended.

Extra products can actually come in several forms.

  • Required items: These products might be required to ensure the main product functions correctly; think of screws for hardware, or batteries for electronics.
  • Related items: Related items aren’t necessarily required but form part of a set; maybe a matching style of cupboard to a chest of drawers.
  • "People also bought…": This is essentially crowdsourced product recommendations, showing customer products that others have bought when buying the product on show in the hope the current customer may find something extra that they may like.

As much as you may wish to show these high in the page in order to generate extra revenue they have to appear much like the customer reviews; below any other product information.

Additional items can be important, so possibly a link higher on the page to this would be beneficial. Other than this, you have a blank canvas to do what you will here, but keeping a consistent style with other product lists would help users quickly identify what these sections are.

Why Choose Us

Famous 4th Street Cookie Company

This is something I’ve only recently come across and it works well for lesser-known sites. Sometimes customers are happy with the product and the price, but unsure about the website itself. When we come across websites we have not used before, there is an automatic lack of trust of it. Many web users fear divulging their private and financial information to unknown websites.

The "why choose us" panel is a useful way of defining why a site is trustworthy and why it’s the best option for buying this product.

Normally, you may have this kind of information dotted around the rest of the website in places such as an About page, but the percentage of customers that will see these pages is minimal. Reinforcing ideas such as your excellent delivery service, prices, guarantees or returns policy at such a critical point in the selling process could be just the ticket to getting that sale.

Social Media Integration

Threadless

Social media is big and there are many benefits to be had if you integrate things like social media buttons on your product pages.

Initially e-commerce websites had an email a friend feature on the product page so that a customer could quickly inform a friend about an awesome product they’ve found. With the explosion of Twitter and Facebook, many sites now give you the opportunity to Tweet or Like a given product.

If you do include such social media aspects to your product pages, then it has to be as part of a wider social strategy whereby you truly engage and attempt to build an online community.

The Challenge: Addressing Information Overload

The challenge I and all other designers find is this: How do you cram so much information into a single web page?

We must ensure our product pages don’t look overcrowded and we must display the information in a suitable hierarchy so that the important information is at the top and all other information flows naturally down the page.

There are no quick answers to laying out a product page — you can use gallery views or tabbed content to fit more information in less space, or you spend more time at the wireframing stage to get things perfect before jumping into the design.

Sometimes these things help, sometimes they just aren’t suitable. This is the challenge of working on different sites, in different markets with different clients and customers.

One tip I do have is to design for the extremes. When we design such pages, we have this tendency to only consider the perfect scenario: all content present and within a manageable size.

Instead, think about how the page may work with elements missing or with more content (or less content) than you expected in certain areas. Doing this will ensure you get a well-designed page no matter how it may be populated by the client.

Design for Delight

Once the product page is laid out correctly and designed with the required, important, useful, and optional/extra product page elements that you need, add some delight to your pages. If people visit your website and find themselves smiling at some small part of the site that they never expected to exist, then they will be more inclined to buy as well as return time and time again.

Be creative, be bold, be unique, share your story, develop your site’s persona.

Overcoming the Most Basic Problem

The major issue with online shopping has always been that we have taken out one of the fundamental elements of buying offline — and that is, the ability to either touch or try a product. This is a strong desire with many products and many customers and there isn’t a technology available right now that can mimic this tactile and immersive experience.

To overcome this we have to be better — so much better — than our brick-and-mortar equivalents. We have to ensure that we give the customer as much information as we can before purchasing, that the prices are very competitive, and that we’re providing a flawless user experience.

Related Content

About the Author

Kean Richmond is a full-time web designer and developer based in Yorkshire, UK. Working as a generalist in most areas of web design and development he currently works at Bronco, tweets as @keanrichmond and rants on his personal blog.

Showcase of Outstanding Landscape Photography

The beauty of nature is an incredible subject for photographers and an excellent source of inspiration for designers. Landscape photography is a favorite for those who enjoy nature. In this post we’ll feature more than 30 photos from a variety of different photographers. If you see something you like, click on the image or the credit link to see more from the photographer.

Landscape Photography

Photo by Navid Baraty

Landscape Photography

Photo by Peter Boel

Landscape Photography

Photo by Hrishikesh Ta

Landscape Photography

Photo by Zach Ansell

Landscape Photography

Photo by Wolfgang Staudt

Landscape Photography

Photo by Emma Hodson

Landscape Photography

Photo by Bob O’Connor

Landscape Photography

Photo by morbidromantic

Landscape Photography

Photo by tinyevilhog

Landscape Photography

Photo by Navid Baraty

Landscape Photography

Photo by Navid Baraty

Landscape Photography

Photo by Navid Baraty

Landscape Photography

Photo by Jerome Lautre

Landscape Photography

Photo by Jerome Lautre

Landscape Photography

Photo by Jakob Wagner

Landscape Photography

Photo by Ville Varumo

Landscape Photography

Photo by Peter Boel

Landscape Photography

Photo by Camille Garcia

Landscape Photography

Photo by Camille Garcia

Landscape Photography

Photo by Emma Hodson

Landscape Photography

Photo by Bob O’Connor

Landscape Photography

Photo by Galen Brown

Landscape Photography

Photo by Hrishikesh Ta

Landscape Photography

Photo by Zach Ansell

Landscape Photography

Photo by Vladimir Donkov

Landscape Photography

Photo by Vladimir Donkov

Landscape Photography

Photo by Cayusa

Landscape Photography

Photo by andreimogan

Landscape Photography

Photo by RaVeNBA

Landscape Photography

Photo by morbidromantic

Landscape Photography

Photo by Dalberti

Landscape Photography

Photo by tomaskaspar

Landscape Photography

Photo by miss_ohara

Landscape Photography

Photo by Tyson Call

Landscape Photography

Photo by Franceso Sgroi

You may also be interested in:

Winners of Next Day Flyers Giveaway

Congrats to the winners who previously participated in a contest held on 11th Feb 2011. Each winner will receive one Next Day Flyers set of 100 4 x 6 Standard Postcards.

Winners of Next Day Flyers Giveaway

And here are our winners :-)

1. Greg
2. Gina
3. Erik

Thank you to all for participating on this giveaway and congratulations to the winners.

Next Day Flyers will contact winners with all details.

Follow Photoshop Star

If you want to receive updates from PhotoshopStar, please consider subscribing our RSS feed. You can also follow us on Twitter.

If you prefer, you can also subscribe to our monthly Newsletter.

40 Cool Website Design Ideas You Should Check

There is more to web design that meets the eye, but honestly, would you not like it to be a little creative, too? Content and substance definitely are important, however let us not forget the importance of creative web designs in getting and retaining readership. Many people never thought that great content and great web design are possible together. Well, it is more than possible now.

The world wide web has definitely turned into a more colorful and exciting virtual world to surf, what with unique designs that just get better and better as time passes by. At present, there are a lot great designs out there that you need to check. In fact, we have collected 40 great looking designs that you should not miss. Enjoy these cool and creative web design ideas!

Sony Ericsson

sony ericsson
View Source

Cornerd

cornerd
View Source

Toasted Digital

toasted digital
View Source

Jeugdraadbrakel

jeugdraadbrakel
View Source

Cappen

cappen
View Source

Html 5lab

html 5lab
View Source

Ben the Bodyguard

ben the bodyguard
View Source

Ryan Scherf

ryan scherf
View Source

Pointles Scorp

pointles scorp
View Source

Ipole Cat

ipole cat
View Source

Nike Better World

nike better world
View Source

The Combine

the combine
View Source

Art Flavours

art flavours
View Source

Still Pointe Sanctuary

still pointe sanctuary
View Source

Notch Studio

notch studio
View Source

Web Effectual

web effectual
View Source

Inservio Web Solutions

inservio web solutions
View Source

Just Dot

just dot
View Source

Clear Ideaz

clear ideaz
View Source

Kunalchhajer

kunalchhajer
View Source

Psyched

psyched
View Source

Sushimonstr

sushimonstr
View Source

Za

za
View Source

Pink Turkey

pink turkey
View Source

Wearecupcup

wearecupcup
View Source

Cilantro Cafe

cilantro cafe
View Source

Uru Star

uru star
View Source

Big Beep

big beep
View Source

Solid Soup

solid soup
View Source

Mens World

mens world
View Source

Sandaliasxtr

sandaliasxtr
View Source

Macaroni Bros

macaroni bros
View Source

Svn2ftp

svn2ftp
View Source

Ivanasetiawan

ivanasetiawan
View Source

Simple Geo

simple geo
View Source

Marketing Profesional

marketing profesional
View Source

Trevanh Etzel

trevanh etzel
View Source

Cuddle Bugstore

cuddle bugstore
View Source

Pinjata

pinjata
View Source

Ready Made Designs

ready made designs
View Source

Create a Realistic Blueprint Image From a 3D Object

In this tutorial, we’ll create a a quick mock-up of a 3D car blueprint. Then we’ll place it on an image of a drafting table. This time we’ll use a particular Photoshop 3D Render Mode to create this awesome effect. Let’s get it started!


Editor’s note: This tutorial was originally published on Psdtuts in July of 2008.

Step 1

Weeks ago, when I published my tutorial about the 3D airplane, I was looking everywhere for a free 3D model with a Creative Commons license. In my quest to find it, I notice some cool websites with absolutely awesome 3D objects to available to play with. For this tutorial, we will use a nice 3D car downloaded from CGIndia.org. When I opened the car in Photoshop I saw the axis planes (X, Y, Z) were part of the model too. This inspired the idea of creating a blueprint of the different views of the car.

After downloading the car model, create a new blank document 1024 pixels by 768 pixels. Then select a white background. Then create a blue (#094464) square over the white layer. This creates a white margin.


Step 2

Create a new 3D layer by going to Layers > 3D Layers > New layer from 3D file. Then find the "3D car" file and press OK.


Step 3

Double-click the 3D layer to edit it. Change the size of the car by making it bigger. Then change the View to Left or Right (depends on you and the model you’re using). I don’t know why, but on my PC this is the Front view. The trick to creating the blueprint is to change the Render mode from Default to Wireframe.


Step 4

Now Alt+Drag to duplicate the 3D layer. Then change the copy’s view to Top. Place the copy below the first view. Also, add some guides to ensure the car’s width is the same in both layers.


Step 5

Rasterize both 3D layers by going to Layer > Rasterize > 3D. Then adjust each layer levels to increase the white of the lines using these values.


Step 6

Delete all the extra lines using the Lasso Tool.


Step 7

Now resize both layers, by the way I named them "Car Side" and "Car Top." Also, add some space between them.


Step 8

Next we’ll create some lines to get a more realistic blueprint result. First, show the Ruler CTRL+R. Then click the Ruler and drag the cursor to draw a guide. Make sure the guides touch the critical points of your views, like the wheel’s diameter, or the car’s width and height. Try to get something like the image below.


Step 9

Using the guides, start drawing some lines. Grab the Line Tool and select a white foreground and 1px weight. Then Shift + click and drag to draw the lines (by using shift and drag you will draw perfect horizontal, vertical, or 45º lines).

Draw a line first, then Shift + click to start the second one. This will activate Add to Shape to add the second line into a unique Layer Mask. Using this step draw as many lines as you want, not too many, but not too few either. Change the layer Opacity to 50%.


Step 10

Using the same steps, create a new layer and draw some white lines on it. These lines will show some of the car’s dimensions. Create some of this lines between two of the previously draw lines. Again, use the Add to Shape option to add all the lines into a single Vector Mask. Then change the Layer Opacity to 50%.


Step 11

Now add some measurements. You can use some random numbers, but imagine that this is a mock-up of a real-life 3D model, like a house. So, you must transcribe the right dimensions to please the client. For this use the Ruler tool, and select pixels as the measure unit. Finally type the dimension; I used this font to create the text.


Step 12

Let’s organize the layers a little bit. Create a Layers Group and name it "Blueprint." Then put all the layers inside it, also create a folders for the numbers, lines and all the extra text. Then duplicate the "Blueprint" group. Then hit Ctrl+E to Merge it. Create a new group outside and name it “Mockup.” Then put the "Blueprint copy" inside of it, and hide the “Blueprint” group.


Step 13

Paste this image into a new layer. It’s a picture of a nice drawing table. Resize the “Blueprint copy” to make it smaller. Then use the Warp tool to distort it a little bit, specially the bottom left corner. Finally, Select All (Command+A) and Cut (CTRL+X) the “Blueprint copy” layer.


Step 14

Select the empty "Blueprint copy" layer. Then go to Filter > Vanishing Point, and draw a plane over the table. Then extend it a little bit, and paste the "Blueprint" as shown in the image below. Try to get the blueprint’s left side out of the drawing table bounds. Then click OK.


Step 15

Duplicate the "Blueprint" layer and fill it with black. Then apply a Gaussian Blur with 2px radius. Then duplicate the "shadow" layer, and apply to the copy another Gaussian Blur with a 10px radius this time. Merge both "shadow" layers and adjust the Hue/Saturation using the values shown at the bottom of this image.


Step 16

Select all the extra paper out of the left table bounds. Distort it using the Warp tool, just a little bit; ensure that the white border remains the same.


Step 17

Using a the Burn tool, add some shadows to the folded blueprint. Also, add some random shadows over the entire blueprint surface.


Step 18

With the Dodge tool add some highlights.


Step 19

Duplicate the “Shadow” layer. Then press Ctrl+F to re-apply the last filter again (Gaussian blur 10 px radius). Then use the Eraser tool to delete some areas of the new shadow. Delete all the areas outside the table too.


Step 20

Using the Blur tool, blur the image a little bit at the top and right side of the blueprint. Don’t overdo this, rather apply only the necessary blur amount.


Step 21

Select the “Blueprint” layer of our mock-up. Then click on Filters > Liquify. In the Liquify Filter Window select the Turbulence tool. Then set the values as shown below; just do a few soft click and drags to create more wrinkles over the plane. Then click OK. You can use the Dodge and Burn tools again to get a better result.


Conclusion

This is it! a simple and fast technique to create blueprints of real objects using Photoshop Extended CS3′s 3D tools. Try it using some architectural models like a house or a building. If you work with this kind of design, you can blow your clients minds.

Giveaway: 5 Amazon Kindle 3G from DesignContest.com

Click here to open DesignContest.com home page in a new browser tab/window.

In this amazing giveaway, DesignContest.com has teamed up with us to give away five Amazon Kindle 3G with free shipping anywhere Amazon.com can ship them. (Please check if the Amazon Kindle can be shipped to your country). Read on to see how you can win one of these awesome Kindles.

About DesignContest.com

DesignContest.com is a community shaped by the joint efforts of talented, skilled designers and clients in need of quality design.

Designers have the opportunity to participate in design contests, win prize money, expand upon and display their portfolios, and practice their skill. Clients have access to thousands of pre-qualified designers, all ready to get to work for them, creating custom design to fit their needs.

Design crowdsourcing creates healthy competition, forces designers to push the limits to create unique and innovative design, and gives clients their choice between dozens, or sometimes hundreds, of design options to choose from.

DesignContest.com was created in 2003 as a way for those in search of quality design to reach qualified designers from around the world in one convenient location. Similar sites available at the time did not address the concerns of both clients and designers, such as guaranteed pre-paid contests, anti-plagiarism policies, and a community spirit with a level playing field for all members.

DesignContest.com has hosted hundreds of graphic design contests and currently has a membership of nearly 23,000 designers from around the globe.

http://www.designcontest.com/top-designers

With 13 different design categories — the most popular being logo design, website design, and t-shirt design — clients are able to provide the details of their design needs, and within just a few hours, custom designs are created by the talented design team.

Check Out the DesignContest.com Forums

In addition to hosting design crowdsourcing contests, DesignContest.com boasts an extensive forum discussing the latest design news and tips and creating a tight-knit community. It’s a great venue for learning about design as well as connecting with fellow designers from across the world.

forum

Connect with DesignContest.com

Join DesignContest on Facebook and follow them on Twitter @designcontests for the latest news and updates.

Join DesignContest.com!

It only takes a moment to register for a DesignContest.com account, giving you exclusive content and site features that become available to you as a registered user.

Register for a DesignContest.com account now!

How to Win an Amazon Kindle 3G from DesignContest.com

First, you must check whether Amazon.com can ship to your country.

Click here, and under the Select Your Primary Country of Use dropdown menu in that page, select your country and verify that the Kindle can be shipped to you.

Next, in the comments, answer the following question:

  • What aspect of DesignContest.com is appealing to you (as a designer or as a client)?

Giveaway Details

You must make sure that the prize can be shipped to your country by using this page on Amazon.com to check. This giveaway ends on Wednesday, March 2, 2011 after which the comments section on this post will be closed and you will no longer be able to leave a comment. Please leave a valid email address when filling out the comment form so that we can contact you if you’ve won. Please only comment once. The 5 winners will be randomly selected using the same method as previous Six Revisions giveaways. The winners will be announced on a separate post and you’re advised to subscribe to our RSS feed so that you can be quickly notified when the winners announcement post has been published. Please note that comments are moderated and so your comment may not show up right away. Please also note that comments that do not follow the instructions on how to participate (described above) may not be published, or may be removed later on.

Related Content

About the Author

Jacob Gube is the Founder and Chief Editor of Six Revisions. He’s also a web developer/designer who specializes in front-end development (JavaScript, HTML, CSS) and also a book author. If you’d like to connect with him, head on over to the contact page and follow him on Twitter: @sixrevisions.

Comment to Win Free Die Cut Business Cards from UPrinting!

Our friends at UPrinting have offered to give 250 free die cut business cards each to three readers of the Vandelay Design blog! If you’ve been wanting to impress potential clients with some high-quality business cards, this is your chance to get them for free.

UPrinting

If you’re not familiar with UPrinting, they are a leading online printing company that offers printing for a wide variety of products including brochures, flyers, posters, calendars and much more in addition to business cards. They have templates to help you design your business cards, and they offer custom printing services to meet your specific printing needs.

The Giveaway Details:

UPrinting will be giving away 250 die cut business cards with free shipping in the U.S. to three random winners. If you would like to enter the contest, leave a comment on this post. You can tell us why you would like the business cards, how you would use them, or simply state that you would like to enter. Winners will be selected on Friday, February 25th using a random number generator. This post will be updated to list the winners and the winners will be notified by email. UPrinting will provide the winners with instructions for claiming their prize.

Specs and Restrictions:

  • Rounded Corners, Leaf, Rounded Single-Corner, Half-Circle Side, Circle
  • 1.75” x 3.5”, 2” x 3.5”, or 2” x 2”; 2.5” Diameter (Circle)
  • 14pt Cardstock Gloss / Matte / High Gloss (UV), or 13pt Cardstock Uncoated
  • Front Only or Front and Back printing
  • Restriction: Limited to US residents 18 years old and above only

Good luck!